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13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt
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Chapters in this book
- Frontmatter i
- Contents v
-
I. INTRODUCTION
- 1. Arvo Pärt and the Art of Embodiment 1
- 2. The Sound—and Hearing—of Arvo Pärt 8
-
II. HISTORY AND CONTEXT
- 3. Sounding Structure, Structured Sound 25
- 4. Colorful Dreams: Exploring Pärt’s Soviet Film Music 36
- 5. Arvo Pärt’s Tintinnabuli and the 1970s Soviet Underground 68
-
III. PERFORMANCE
- 6. The Pärt Sound 89
- 7. The Rest Is Silence 107
-
IV. MATERIALITY AND PHENOMENOLOGY
- 8. Vibrating, and Silent: Listening to the Material Acoustics of Tintinnabulation 129
- 9. Medieval Pärt 154
- 10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives 177
-
V. THEOLOGY
- 11. Presence, Absence, and the Ambiguities of Ambiance: Theological Discourse and the Move to Sound in Pärt Studies 197
- 12. The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt 208
- 13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt 220
- 14. In the Beginning There Was Sound: Hearing, Tintinnabuli, and Musical Meaning in Sufi 232
- List of Contributors 243
- Index of Terms 247
- Index of Persons 252
- Works by Other Composers 256
- Works by Arvo Pärt 257
Chapters in this book
- Frontmatter i
- Contents v
-
I. INTRODUCTION
- 1. Arvo Pärt and the Art of Embodiment 1
- 2. The Sound—and Hearing—of Arvo Pärt 8
-
II. HISTORY AND CONTEXT
- 3. Sounding Structure, Structured Sound 25
- 4. Colorful Dreams: Exploring Pärt’s Soviet Film Music 36
- 5. Arvo Pärt’s Tintinnabuli and the 1970s Soviet Underground 68
-
III. PERFORMANCE
- 6. The Pärt Sound 89
- 7. The Rest Is Silence 107
-
IV. MATERIALITY AND PHENOMENOLOGY
- 8. Vibrating, and Silent: Listening to the Material Acoustics of Tintinnabulation 129
- 9. Medieval Pärt 154
- 10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives 177
-
V. THEOLOGY
- 11. Presence, Absence, and the Ambiguities of Ambiance: Theological Discourse and the Move to Sound in Pärt Studies 197
- 12. The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt 208
- 13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt 220
- 14. In the Beginning There Was Sound: Hearing, Tintinnabuli, and Musical Meaning in Sufi 232
- List of Contributors 243
- Index of Terms 247
- Index of Persons 252
- Works by Other Composers 256
- Works by Arvo Pärt 257