Chapter
Publicly Available
Contents
Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
-
Rhythm’s Critiques
- Why Rhythm? 21
- What Is Called Rhythm? 40
- Sordello’s Pristine Pulpiness 60
-
Body, Throng, Race
- Th e Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics 87
- Contagious Rhythm: Verse as a Technique of the Body 106
- Constructing Walt Whitman: Literary History and Histories of Rhythm 128
-
Beat and Count
- Th e Rhythms of the English Dolnik 153
- How to Find Rhythm on a Piece of Paper 174
- Picturing Rhythm 197
-
Fictions of Rhythm
- Beyond Meaning: Differing Fates of Some Modernist Poets’ Investments of Belief in Sounds 223
- Sapphic Stanzas: How Can We Read the Rhythm? 247
- Rhythm and Affect in “Christabel” 274
- Acknowledgments 297
- List of Contributors 299
- Index 303
- Verbal Arts: Studies in Poetics 311
Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
-
Rhythm’s Critiques
- Why Rhythm? 21
- What Is Called Rhythm? 40
- Sordello’s Pristine Pulpiness 60
-
Body, Throng, Race
- Th e Cadence of Consent: Francis Barton Gummere, Lyric Rhythm, and White Poetics 87
- Contagious Rhythm: Verse as a Technique of the Body 106
- Constructing Walt Whitman: Literary History and Histories of Rhythm 128
-
Beat and Count
- Th e Rhythms of the English Dolnik 153
- How to Find Rhythm on a Piece of Paper 174
- Picturing Rhythm 197
-
Fictions of Rhythm
- Beyond Meaning: Differing Fates of Some Modernist Poets’ Investments of Belief in Sounds 223
- Sapphic Stanzas: How Can We Read the Rhythm? 247
- Rhythm and Affect in “Christabel” 274
- Acknowledgments 297
- List of Contributors 299
- Index 303
- Verbal Arts: Studies in Poetics 311