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Chapter
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CONTENTS
Chapters in this book
- Frontmatter i
- CONTENTS vii
- FIGURES ix
- PROLOGUE: LIMITS 1
- INTRODUCTION: MATERIALS SCIENCE, MATERIALIST POETICS 11
- 1. THE INORGANIC OPEN: NANOTECHNOLOGY AND PHYSICAL BEING 35
- 2. OBJECTISM: CHARLES OLSON’S POETICS OF PHYSICAL BEING 57
- 3. DESIGN SCIENCE: GEODESIC ARCHITECTURE IN NANOSCALE CARBON CHEMISTRY AND RONALD JOHNSON’S ARK 98
- 4. SURRATIONAL SOLIDS, SURREALIST LIQUIDS: CRYSTALLOGRAPHY AND BIOTECHNOLOGY IN MATERIALS SCIENCE AND MATERIALIST POETRY 153
- 5. THE SCALE OF A WOUND: NANOTECHNOLOGY AND THE POETICS OF REAL ABSTRACTION IN SHANXING WANG’S MAD SCIENCE IN IMPERIAL CITY 216
- CONCLUSION: TECHNĒ , POIĒSIS, FABRICATION 245
- ACKNOWLEDGMENTS 249
- NOTES 251
- WORKS CITED 275
- INDEX 293
Chapters in this book
- Frontmatter i
- CONTENTS vii
- FIGURES ix
- PROLOGUE: LIMITS 1
- INTRODUCTION: MATERIALS SCIENCE, MATERIALIST POETICS 11
- 1. THE INORGANIC OPEN: NANOTECHNOLOGY AND PHYSICAL BEING 35
- 2. OBJECTISM: CHARLES OLSON’S POETICS OF PHYSICAL BEING 57
- 3. DESIGN SCIENCE: GEODESIC ARCHITECTURE IN NANOSCALE CARBON CHEMISTRY AND RONALD JOHNSON’S ARK 98
- 4. SURRATIONAL SOLIDS, SURREALIST LIQUIDS: CRYSTALLOGRAPHY AND BIOTECHNOLOGY IN MATERIALS SCIENCE AND MATERIALIST POETRY 153
- 5. THE SCALE OF A WOUND: NANOTECHNOLOGY AND THE POETICS OF REAL ABSTRACTION IN SHANXING WANG’S MAD SCIENCE IN IMPERIAL CITY 216
- CONCLUSION: TECHNĒ , POIĒSIS, FABRICATION 245
- ACKNOWLEDGMENTS 249
- NOTES 251
- WORKS CITED 275
- INDEX 293