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Here There Is No After (Richter’s History)

© 2020 Fordham University Press, New York, USA

© 2020 Fordham University Press, New York, USA

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Introduction: The Present Darkness of Romanticism 1
  4. The History of Missed Opportunities: British Romanticism and the Emergence of the Everyday 17
  5. The Pathology of the Future, or the Endless Triumphs of Life 35
  6. Painting Theory: Mark Tansey’s Derrida Queries de Man 47
  7. Here There Is No After (Richter’s History) 70
  8. Goya’s Scarcity 86
  9. The Tone of Praise 122
  10. Endymion: The Text of Undersong 142
  11. Dancing in the Dark with Shelley 167
  12. The Pastoral Stain: Twombly under the Trees 186
  13. The Walter Scott Experience: Living American History after Waverley 219
  14. Free Indirect Filmmaking: Jane Austen and the Renditions (On Emma among Its Others) 248
  15. Population Aesthetics in Romantic and Post- Romantic Literature 267
  16. Technomagism, Coleridge’s Mariner, and the Sentence Image 290
  17. Willing Suspension of Disbelief, Here, Now 309
  18. Acknowledgments 323
  19. List of Contributors 325
  20. Index 329
  21. Sara Guyer and Brian McGrath, series editors 335
Constellations of a Contemporary Romanticism
This chapter is in the book Constellations of a Contemporary Romanticism
https://doi.org/10.1515/9780823271061-005

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Introduction: The Present Darkness of Romanticism 1
  4. The History of Missed Opportunities: British Romanticism and the Emergence of the Everyday 17
  5. The Pathology of the Future, or the Endless Triumphs of Life 35
  6. Painting Theory: Mark Tansey’s Derrida Queries de Man 47
  7. Here There Is No After (Richter’s History) 70
  8. Goya’s Scarcity 86
  9. The Tone of Praise 122
  10. Endymion: The Text of Undersong 142
  11. Dancing in the Dark with Shelley 167
  12. The Pastoral Stain: Twombly under the Trees 186
  13. The Walter Scott Experience: Living American History after Waverley 219
  14. Free Indirect Filmmaking: Jane Austen and the Renditions (On Emma among Its Others) 248
  15. Population Aesthetics in Romantic and Post- Romantic Literature 267
  16. Technomagism, Coleridge’s Mariner, and the Sentence Image 290
  17. Willing Suspension of Disbelief, Here, Now 309
  18. Acknowledgments 323
  19. List of Contributors 325
  20. Index 329
  21. Sara Guyer and Brian McGrath, series editors 335
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