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Contents

© 2020 Fordham University Press, New York, USA

© 2020 Fordham University Press, New York, USA

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction: “Habit of Mind” 1
  5. Memoir
  6. Louise DeSalvo’s “Even in Death, La Bella Figura”: A Meditation on Honor, Respect, and the Silences That Bind 37
  7. The Poetics of Trauma: Intertextuality, Rhythm, and Concision in Vertigo and Writing as a Way of Healing 50
  8. Fixing and Fictioning: Memory and Catholicism in Vertigo 62
  9. Portrait of the Mother as a Writer and Researcher 75
  10. Louise DeSalvo: Essaying Memoir 86
  11. Teaching
  12. On Vulnerability and Risk: Learning to Write and Teach Memoir as a Student of Louise DeSalvo 105
  13. Fixing Things: What Louise DeSalvo Has Taught Me about Writing 111
  14. Dark Whiteness and Literacy without Assimilation: DeSalvo’s Unlikely Narrative 117
  15. Mixing Bowl: On Crazy in the Kitchen, DeSalvo in the Classroom, and the Day I Got into Hunter 130
  16. Furthering the Voyage: Reconsidering DeSalvo in Contemporary Woolf Studies 140
  17. Culture
  18. The Context of Louise DeSalvo’s Impact: Incest in Virginia Woolf’s Biography 155
  19. “Thirty- seven Is the Unraveling Time” and Other Fictions of Fidelity in the Works of Louise DeSalvo 169
  20. Life Online: Skating and Breaking the Surface of the Self 179
  21. The Fruits of Her Labor: Louise DeSalvo’s Memoirs of Food and Family 189
  22. Mapping the Female Ethnic Self in the Family Battleground: Vertigo and the Greek American Novel 210
  23. DeSalvo’s Rialto: On Moving as a Livable Bridge 222
  24. The Knife and the Bread, the Brutal and the Sacred: Louise DeSalvo at the Family Table 233
  25. Afterword. Crazy in the Study: Trying to Claim a Tradition in Louise DeSalvo’s Accented Writing 251
  26. Contributors 261
  27. Index 265
Personal Effects
This chapter is in the book Personal Effects
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