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eleven. Ulysses as Modernist: From Metonymy to Metaphor in Shakespeare’s Troilus and Cressida

© 2020 Fordham University Press, New York, USA

© 2020 Fordham University Press, New York, USA

Chapters in this book

  1. Frontmatter i
  2. contents vii
  3. acknowledgments ix
  4. PART I. Theory and Practice
  5. one. Two Figures: (1) Metaphor 3
  6. two. Two Figures: (2) Metonymy 10
  7. three. Making Metaphors, Seeing Metonymies 14
  8. four. Metonymy, Metaphor, and Perception: De Man and Nietzsche 25
  9. five. Metaphor, Metonymy, and Redundancy 42
  10. six. The Semiotics of Metaphor and Metonymy: Umberto Eco 54
  11. seven. Frost and Roses: The Disenchantment of a Reluctant Modernist 68
  12. PART II. History
  13. eight. Metaphor and the Anxiety of Fictiveness: St. Augustine 75
  14. nine. Metaphor and Metonymy in the Middle Ages: Aquinas and Dante 82
  15. ten. Sacramental Anxiety in the Late Middle Ages: Hugh of St. Victor, the Abbot Suger, and Dante 94
  16. eleven. Ulysses as Modernist: From Metonymy to Metaphor in Shakespeare’s Troilus and Cressida 115
  17. notes 125
  18. index 153
Figures of a Changing World
This chapter is in the book Figures of a Changing World
https://doi.org/10.1515/9780823257515-012

Chapters in this book

  1. Frontmatter i
  2. contents vii
  3. acknowledgments ix
  4. PART I. Theory and Practice
  5. one. Two Figures: (1) Metaphor 3
  6. two. Two Figures: (2) Metonymy 10
  7. three. Making Metaphors, Seeing Metonymies 14
  8. four. Metonymy, Metaphor, and Perception: De Man and Nietzsche 25
  9. five. Metaphor, Metonymy, and Redundancy 42
  10. six. The Semiotics of Metaphor and Metonymy: Umberto Eco 54
  11. seven. Frost and Roses: The Disenchantment of a Reluctant Modernist 68
  12. PART II. History
  13. eight. Metaphor and the Anxiety of Fictiveness: St. Augustine 75
  14. nine. Metaphor and Metonymy in the Middle Ages: Aquinas and Dante 82
  15. ten. Sacramental Anxiety in the Late Middle Ages: Hugh of St. Victor, the Abbot Suger, and Dante 94
  16. eleven. Ulysses as Modernist: From Metonymy to Metaphor in Shakespeare’s Troilus and Cressida 115
  17. notes 125
  18. index 153
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