3. The Afterwardsness of Trauma and the Theory of Seduction

Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. List of Figures ix
4. Acknowledgments xi
5. Preface xiii
6. Prologue: Freud’s Scenographies 1
7. Part I: The Power of Scenes
8. 1. Charcot’s Hysteria: Trauma and the Hysterical Attack 11
9. 2. Freud’s Hysteria: “Scenes of Passionate Movement” 36
10. Part II: Memorial Fantasies, Fantasmatic Memories
11. 3. The Afterwardsness of Trauma and the Theory of Seduction 59
12. 4. Memory and the Key of Fantasy 88
13. 5. The Scenography of Trauma: Oedipus as Tragedy and Complex 123
14. Part III: Screen Memories and the Return of Seduction
15. 6. Leonardo’s Screen Memory 155
16. 7. Flying and Painting: Leonardo’s Rival Sublimations 180
17. Part IV: Prototypes and the Primal
18. 8. The Transference and Its Prototypes 205
19. 9. The Wolf Man I: Constructing the Primal Scene 220
20. 10. The Wolf Man II: Interpreting the Primal Scene 248
21. Part V: Trauma and the Compulsion to Repeat
22. 11. Trauma and the Genealogy of the Death Drive 279
23. 12. Uncanny Repetitions: Freud, Hoffmann, and the Death- Work 316
24. Epilogue 348
25. Bibliography 351
26. Index of the Works of Freud 359
27. General Index 361