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25. Itty Bitty Titty Committee: Free Radicals and the Feminist Carnivalesque

  • B. Ruby Rich
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New Queer Cinema
This chapter is in the book New Queer Cinema
© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. CONTENTS ix
  3. Acknowledgments xi
  4. Introduction xv
  5. PART I. ORIGINS, FESTIVALS, AUDIENCES
  6. 1. Before the Beginning: Lineages and Preconceptions 3
  7. 2. The New Queer Cinema: Director’s Cut 16
  8. 3. Collision, Catastrophe, Celebration: The Relationship between Gay and Lesbian Film Festivals and Their Publics 33
  9. 4. What’s a Good Gay Film? 40
  10. Part II. Bulletins from the Front
  11. 5. The King of Queer: Derek Jarman 49
  12. 6. True Stories of Forbidden Love 53
  13. 7. Goings and Comings, the Go Fish Way 58
  14. 8. Historical Fictions, Modern Desires: The Watermelon Woman 66
  15. 9. Channeling Domestic Violence: In the Den with Todd Haynes and Christine Vachon 72
  16. 10. The I.K.U. Experience: The Shu-Lea Cheang Phenomenon 76
  17. 11. Jonathan Caouette: What in Tarnation? 81
  18. 12. Apichatpong Weerasethakul’s Tropical Maladies 88
  19. 13. Beyond Doom: Gregg Araki’s Mysterious Film 92
  20. 14. A Walk in the Clouds: Julián Hernández 96
  21. Part III. Genre Meets Gender
  22. 15. Lethal Lesbians: The Cinematic Inscription of Murderous Desire 103
  23. 16. Queering the Biopic Documentary 123
  24. 17. A Queer and Present Danger: The Death of New Queer Cinema? 130
  25. Part IV. Queering a New Latin American Cinema
  26. 18. Preface to a History 141
  27. 19. Refashioning Mexican Screen Sexuality: Ripstein, Hermosillo, Leduc 145
  28. 20. Gay and Lesbian Traces 151
  29. 21. Mexico in the Forties: Reclaiming a Gender Pioneer 156
  30. 22. Revolution, Sexuality, and the Paradox of Queer Film in Cuba 159
  31. 23. Queering the Social Landscape 167
  32. Part V. Expansions and Reversals
  33. 24. Ang Lee’s Lonesome Cowboys 185
  34. 25. Itty Bitty Titty Committee: Free Radicals and the Feminist Carnivalesque 202
  35. 26. Queer Nouveau: From Morality Tales to Mortality Tales in Ozon, Téchiné, Collard 214
  36. 27. Got Milk? Gus Van Sant’s Encounter with History 236
  37. Conclusion 261
  38. Filmography 285
  39. Bibliography 297
  40. Credits 307
  41. Index 309
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