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Touchstones and Bedrocks: Learning the Stories We Need

© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. Acknowledgments vii
  4. Introduction 1
  5. PART I MUSE-INGS ON GENRE, AUTOBIOGRAPHY, NARRATIVE: FORMATIVE STRATEGIES
  6. Border Crossing as Method and Motif in Contemporary American Writing, or, How Freud Helped Me Case the Joint 11
  7. Me and My Shadow 23
  8. Beyond Literary Darwinism: Women's Voices and Critical Discourse 41
  9. "Everyday Use": My Sojourn at Parchman Farm 67
  10. Excerpts from Letters to Friends 75
  11. Social Circles: Being a Report on J. Hillis Miller's Campus Visitation 81
  12. Touchstones and Bedrocks: Learning the Stories We Need 93
  13. PART II CRITICAL CONFESSIONS
  14. Creative Voices: Women Reading and Women's Writing 101
  15. Breaking Silence: The Woman Warrior 117
  16. Different Silences 127
  17. "What's in a Name?": Some Meanings of Blackness 135
  18. Poetry and the Age: "A Girl in a Library" to Randall Jarrell 151
  19. My Friend, Joyce Carol Oates 163
  20. Somebody Must Say These Things: An Essay for My Mother 175
  21. The Scarlet Brewer and the Voice of the Colonized 191
  22. Dividing Fences 197
  23. What Do Women Really Mean? Thoughts on Women's Diaries and Lives 207
  24. PART III AUTOBIOGRAPHICAL LITERARY CRITICISM
  25. Between the Medusa and the Abyss: Reading Jane Eyre, Reading Myself 223
  26. Rereading Middlemarch, Rereading Myself 237
  27. The Crippling of the Third World: Shiva Naipaul's Heritage 245
  28. Penelope's Web 255
  29. "Ain't Gonna Let Nobody Turn Me Around": Reading the Narrative of Frederick Douglass 265
  30. Catharine Trotter Cockburn and Me: A Duography 273
  31. In Between Abject & Object: The Mourning Sickness of the Expectant Mother, or, Three Movements of the Blues in B Minor 283
  32. La Ronde of Children and Mothers 293
  33. Selected Bibliography 303
  34. Contributors 309
The Intimate Critique
This chapter is in the book The Intimate Critique
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