The Financial Structure of Spanish Cinema

Chapters in this book

1. Frontmatter i
2. CONTENTS vii
3. Acknowledgments ix
4. Refiguring Socialist Spain: An Introduction 1
5. PART 1: HISTORICAL RECUPERATION
6. Reading Hollywood inland Spanish Cinema: From Trade Wars to Transculturation 35
7. Documenting the National and Its Subversion in a Democratic Spain 65
8. The Marketing of Cervantine Magic for a New Global Image of Spain 99
9. Nations, Nationalisms, and Los tiltimos de Filipinas: An Imperialist Desire for Colonialist Nostalgia 133
10. PART 2: SEXUAL REINSCRIPTION
11. Out of the Cinematic Closet: Homosexuality in the Films of Eloy de la Iglesia 157
12. Pornography, Masculinity, Homosexuality: Almodovar's Matador and La ley del deseo 178
13. La teta i la lluna: The Form of Transnational Cinema in Spain 196
14. Regendering Spain's Political Bodies: Nationality and Gender in the Films of Pilar Mira and Arantxa Lazcano 215
15. PART 3: MARKETING TRANSFIGURATION: MONEY/POLITICS/REGIONALISM
16. The Financial Structure of Spanish Cinema 241
17. Spatial Eruptions, Global Grids: Regionalist TV in Spain and Dialectics of Identity Politics 260
18. Private Commercial Television versus Political Diversity: The Case of Spain's 1993 General Elections 284
19. The Art Museum as a Means of Refiguring Regional Identity in Democratic Spain 301
20. Annotated Bibliography of English-Language Works on Spanish Films 327
21. Contributors 347
22. Index 351