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Meaning in Motion
New Cultural Studies of Dance
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Edited by:
Jane C. Desmond
Language:
English
Published/Copyright:
1997
About this book
Dance, whether considered as an art form or embodied social practice, as product or process, is a prime subject for cultural analysis. Yet only recently have studies of dance become concerned with the ideological, theoretical, and social meanings of dance practices, performances, and institutions. In Meaning in Motion, Jane C. Desmond brings together the work of critics who have ventured into the boundaries between dance and cultural studies, and thus maps a little-known and rarely explored critical site.
Writing from a broad range of perspectives, contributors from disciplines as varied as art history and anthropology, dance history and political science, philosophy and women’s studies chart the questions and challenges that mark this site. How does dance enact or rework social categories of identity? How do meanings change as dance styles cross borders of race, nationality, or class? How do we talk about materiality and motion, sensation and expressivity, kinesthetics and ideology? The authors engage these issues in a variety of contexts: from popular social dances to the experimentation of the avant-garde; from nineteenth-century ballet and contemporary Afro-Brazilian Carnival dance to hip hop, the dance hall, and film; from the nationalist politics of folk dances to the feminist philosophies of modern dance. Giving definition to a new field of study, Meaning in Motion broadens the scope of dance analysis and extends to cultural studies new ways of approaching matters of embodiment, identity, and representation.
Writing from a broad range of perspectives, contributors from disciplines as varied as art history and anthropology, dance history and political science, philosophy and women’s studies chart the questions and challenges that mark this site. How does dance enact or rework social categories of identity? How do meanings change as dance styles cross borders of race, nationality, or class? How do we talk about materiality and motion, sensation and expressivity, kinesthetics and ideology? The authors engage these issues in a variety of contexts: from popular social dances to the experimentation of the avant-garde; from nineteenth-century ballet and contemporary Afro-Brazilian Carnival dance to hip hop, the dance hall, and film; from the nationalist politics of folk dances to the feminist philosophies of modern dance. Giving definition to a new field of study, Meaning in Motion broadens the scope of dance analysis and extends to cultural studies new ways of approaching matters of embodiment, identity, and representation.
Contributors. Ann Cooper Albright, Evan Alderson, Norman Bryson, Cynthia Cohen Bull, Ann Daly, Brenda Dixon Gottschild, Susan Foster, Mark Franko, Marianne Goldberg, Amy Koritz, Susan Kozel, Susan Manning, Randy Martin, Angela McRobbie, Kate Ramsey, Anna Scott, Janet Wolff
Author / Editor information
Jane C. Desmond is Associate Professor of American Studies and Women’s Studies at the University of Iowa.
Reviews
“Excellent! Meaning in Motion will make it much easier for scholars concerned primarily with cultural studies to consider the challenges dance poses in ‘rethinking the body.’”— Peggy Phelan, Tisch School of the Arts, New York University
Topics
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Publicly Available Download PDF |
i |
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Publicly Available Download PDF |
v |
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vii |
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Requires Authentication Unlicensed Licensed |
1 |
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I DANCE AND CULTURAL STUDIES
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Jane C. Desmond Requires Authentication Unlicensed Licensed |
29 |
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Norman Bryson Requires Authentication Unlicensed Licensed |
55 |
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II SOCIAL LIVES, SOCIAL BODIES
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Janet Wolff Requires Authentication Unlicensed Licensed |
81 |
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Susan Kozel Requires Authentication Unlicensed Licensed |
101 |
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Ann Daly Requires Authentication Unlicensed Licensed |
111 |
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Evan Alderson Requires Authentication Unlicensed Licensed |
121 |
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Amy Koritz Requires Authentication Unlicensed Licensed |
133 |
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Susan Manning Requires Authentication Unlicensed Licensed |
153 |
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Brenda Dixon Gottschild Requires Authentication Unlicensed Licensed |
167 |
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Ann Cooper Albright Requires Authentication Unlicensed Licensed |
179 |
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Angela McRobbie Requires Authentication Unlicensed Licensed |
207 |
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III EXPANDING AGENDAS FOR CRITICAL THINKING
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Susan Leigh Foster Requires Authentication Unlicensed Licensed |
235 |
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Anna Beatrice Scott Requires Authentication Unlicensed Licensed |
259 |
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Cynthia Jean Cohen Bull Requires Authentication Unlicensed Licensed |
269 |
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Mark Franko Requires Authentication Unlicensed Licensed |
289 |
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Marianne Goldberg Requires Authentication Unlicensed Licensed |
305 |
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Randy Martin Requires Authentication Unlicensed Licensed |
321 |
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Kate Ramsey Requires Authentication Unlicensed Licensed |
345 |
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379 |
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Requires Authentication Unlicensed Licensed |
383 |
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385 |
Publishing information
Pages and Images/Illustrations in book
eBook published on:
April 30, 1997
eBook ISBN:
9780822397281
Pages and Images/Illustrations in book
Main content:
408
Other:
37 b&w photographs