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Frontmatter
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: The Jazz Canon and Its Consequences 1
-
RETHINKING JAZZ HISTORY
- "Moldy Figs" and Modernists: Jazz at War (I942-I946) 31
- Jazz in Crisis, I948-I958: Ideology and Representation 57
- Other: From Noun to Verb 76
- Historical Context and the Definition of Jazz: Putting More of the History in "Jazz History" 100
- Oral Histories of Jazz Musicians: The NEA Transcripts as Texts in Context 117
- The Media of Memory: The Seductive Menace of Records in Jazz History 134
-
THE JAZZ ARTIST AMONG THE DISCOURSES
- "Out of Notes": Signification, Interpretation, and the Problem of Miles Davis 165
- Critical Alchemy; Anthony Braxton and the Imagined Tradition 189
- Ephemera Underscored: Writing Around Free Improvisation 217
-
THE ESSENTIAL COM TEXT: JAZZ AND POLITICS
- Double V; Double-Time: Bebop's Politics of Style 243
- Ascension: Music and the Black Arts Movement 256
- Contributors 275
- Index 277
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: The Jazz Canon and Its Consequences 1
-
RETHINKING JAZZ HISTORY
- "Moldy Figs" and Modernists: Jazz at War (I942-I946) 31
- Jazz in Crisis, I948-I958: Ideology and Representation 57
- Other: From Noun to Verb 76
- Historical Context and the Definition of Jazz: Putting More of the History in "Jazz History" 100
- Oral Histories of Jazz Musicians: The NEA Transcripts as Texts in Context 117
- The Media of Memory: The Seductive Menace of Records in Jazz History 134
-
THE JAZZ ARTIST AMONG THE DISCOURSES
- "Out of Notes": Signification, Interpretation, and the Problem of Miles Davis 165
- Critical Alchemy; Anthony Braxton and the Imagined Tradition 189
- Ephemera Underscored: Writing Around Free Improvisation 217
-
THE ESSENTIAL COM TEXT: JAZZ AND POLITICS
- Double V; Double-Time: Bebop's Politics of Style 243
- Ascension: Music and the Black Arts Movement 256
- Contributors 275
- Index 277