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The Hieroglyph and the Whore: D. W. Griffith's Intolerance
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Miriam Hansen
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Chapters in this book
- Frontmatter i
- Contents v
- Introduction: The Family Melodrama of Classical Narrative Cinema 1
- Dickens. Griffith, and Film Theory Today 9
- Form Wars: The Political Unconscious of Formalist Theory 49
- Film Response from Eye to I: The Kuleshov Experiment 79
- Securing the Fictional Narrative as a Tale of the Historical Real: The Return of Martin Guerre 107
- Between Melodrama and Realism: Anthony Asquith's Underaround and King Vidor's The Crowd 129
- The Hieroglyph and the Whore: D. W. Griffith's Intolerance 169
- The She-Man: Postmodern Bi-Sexed Performance in Film and Video 203
- Dead Ringer: Jacqueline Onassis and the Look-Alike 227
- Nostalgia for the Present 253
- Reading Dynasty: Television and Reception Theory 275
- Dialogues of the Living Dead 295
- Image/Machine/Image: On the Use and Abuse of Marx and Metaphor in Television Theory 313
- Notes on Contributors 341
- Index 345
Chapters in this book
- Frontmatter i
- Contents v
- Introduction: The Family Melodrama of Classical Narrative Cinema 1
- Dickens. Griffith, and Film Theory Today 9
- Form Wars: The Political Unconscious of Formalist Theory 49
- Film Response from Eye to I: The Kuleshov Experiment 79
- Securing the Fictional Narrative as a Tale of the Historical Real: The Return of Martin Guerre 107
- Between Melodrama and Realism: Anthony Asquith's Underaround and King Vidor's The Crowd 129
- The Hieroglyph and the Whore: D. W. Griffith's Intolerance 169
- The She-Man: Postmodern Bi-Sexed Performance in Film and Video 203
- Dead Ringer: Jacqueline Onassis and the Look-Alike 227
- Nostalgia for the Present 253
- Reading Dynasty: Television and Reception Theory 275
- Dialogues of the Living Dead 295
- Image/Machine/Image: On the Use and Abuse of Marx and Metaphor in Television Theory 313
- Notes on Contributors 341
- Index 345