Acknowledgments

Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS vii
3. List of Illustrations ix
4. Acknowledgments xiii
5. INTRODUCTION: Art during War and the Potentialities of Decolonial Representation 1
6. I. FRAGMENTS AND FAÇADES: ANDRÉ MALRAUX AND THE IMAGE OF THE PAST AS THE FUTURE OF THE PRESENT
7. 1. Fragments; or, The Ends of Photography 19
8. 2. Façades; or, The Space of Silence 41
9. II. BETWEEN RESISTANCE AND REFUSAL: THE LANGUAGE OF ART AND ITS PUBLICS
10. 3. Sonic Youth, Sonic Space: Isidore Isou and the Lettrist Acoustics of Deterritorialization 77
11. 4. La France Déchirée: The Politics of Representation and the Spaces In-Between 109
12. III. REIDENTIFICATIONS: SEEING CITIZENS BEING SEEN
13. 5. “The Eye of History”: Photojournalism, Protest, and the Manifestation of 17 October 1961 159
14. 6. Looking Past the State of Emergency: A Coda 201
15. Notes 221
16. Bibliography 271
17. Index 305