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5. Recording Artists, Work for Hire, Employment, and Appropriation

© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction: Popular Music and (Creative) Labor 1
  5. Part I: Representation
  6. 1. American Idol and Narratives of Meritocracy 36
  7. 2. Rockumentary and the New Model Worker 64
  8. Part I I: Regulation
  9. 3. Carving Out Recording Artists from California’s Seven- Year Rule 105
  10. 4. Freedom, Unfreedom, and the Rhetoric of the Recording Contract 143
  11. 5. Recording Artists, Work for Hire, Employment, and Appropriation 183
  12. Conclusion: “I’m Free!” 226
  13. Notes 235
  14. Bibliography 269
  15. Index 283
Unfree Masters
This chapter is in the book Unfree Masters
https://doi.org/10.1515/9780822395775-007

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction: Popular Music and (Creative) Labor 1
  5. Part I: Representation
  6. 1. American Idol and Narratives of Meritocracy 36
  7. 2. Rockumentary and the New Model Worker 64
  8. Part I I: Regulation
  9. 3. Carving Out Recording Artists from California’s Seven- Year Rule 105
  10. 4. Freedom, Unfreedom, and the Rhetoric of the Recording Contract 143
  11. 5. Recording Artists, Work for Hire, Employment, and Appropriation 183
  12. Conclusion: “I’m Free!” 226
  13. Notes 235
  14. Bibliography 269
  15. Index 283
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