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SET LIST

© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. SET LIST ix
  3. Opus xi
  4. FOUR-BAR INTRO ‘‘The Shape of Jazz to Come’’ 1
  5. VAMP IN, HEAD Acoustemology in Accra: On Jazz Cosmopolitanism 11
  6. FIRST CHORUS, WITH TRANSPOSITION Guy Warren/Ghanaba: From Afro-Jazz to Handel via Max Roach 51
  7. SECOND CHORUS, BLOW FREE Nii Noi Nortey: From Pan-Africanism to Afrifones via John Coltrane 87
  8. THIRD CHORUS, BACK INSIDE Nii Otoo Annan: From Toads to Polyrhythm via Elvin Jones and Rashied Ali 119
  9. FOURTH CHORUS, SHOUT TO THE GROOVE Por Por: From Honk Horns to Jazz Funerals via New Orleans 159
  10. HEAD AGAIN, VAMP OUT Beyond Diasporic Intimacy 199
  11. ‘‘DEDICATED TO YOU’’ 245
  12. HORN BACKGROUNDS, RIFFS UNDERNEATH 249
  13. THEMES, PLAYERS 299
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Jazz Cosmopolitanism in Accra
This chapter is in the book Jazz Cosmopolitanism in Accra
https://doi.org/10.1515/9780822394969-toc

Chapters in this book

  1. Frontmatter i
  2. SET LIST ix
  3. Opus xi
  4. FOUR-BAR INTRO ‘‘The Shape of Jazz to Come’’ 1
  5. VAMP IN, HEAD Acoustemology in Accra: On Jazz Cosmopolitanism 11
  6. FIRST CHORUS, WITH TRANSPOSITION Guy Warren/Ghanaba: From Afro-Jazz to Handel via Max Roach 51
  7. SECOND CHORUS, BLOW FREE Nii Noi Nortey: From Pan-Africanism to Afrifones via John Coltrane 87
  8. THIRD CHORUS, BACK INSIDE Nii Otoo Annan: From Toads to Polyrhythm via Elvin Jones and Rashied Ali 119
  9. FOURTH CHORUS, SHOUT TO THE GROOVE Por Por: From Honk Horns to Jazz Funerals via New Orleans 159
  10. HEAD AGAIN, VAMP OUT Beyond Diasporic Intimacy 199
  11. ‘‘DEDICATED TO YOU’’ 245
  12. HORN BACKGROUNDS, RIFFS UNDERNEATH 249
  13. THEMES, PLAYERS 299
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