Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. I Collage, Therefore I Am 1
5. Digital Mana 24
6. Copyrights and Copywrongs 38
7. Das Plagiierenwerk 51
8. PhotoStatic Magazine and the Rise of the Casual Publisher 57
9. Plagiarism® 101 76
10. Ambiguity and Theft 84
11. Where Does Sad News Come From? 94
12. Excerpts from “Two Relationships to a Cultural Public Domain” 117
13. Everybody’s Got Something to Hide Except for Me and My Lawsuit 132
14. How Copyright Law Changed Hip- Hop 152
15. Hip- Hop Meets the Avant- Garde 158
16. Getting Snippety 160
17. Crashing the Spectacle 164
18. Billboard Liberation 178
19. On the Seamlessly Nomadic Future of Collage 185
20. Cultural Sampling and Social Critique 199
21. Remixing Cultures 219
22. A Day to Sing 237
23. Visualizing Copyright, Seeing Hegemony 252
24. Collage as Practice and Metaphor in Popular Culture 264
25. Assassination Weapons 276
26. Free Culture 290
27. The Ecstasy of Influence 298
28. Bibliography 327
29. Contributors 341
30. Index 345