Kapitel
Öffentlich zugänglich
Preface: How It All Began
-
Hamid Naficy
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xiii
- Organization of the Volumes xxi
- A Word about Illustrations xxvii
- Preface: How It All Began xxix
- Introduction: National Cinema, Modernity, and Iranian National Identity 1
- 1. Artisanal Silent Cinema in the Qajar Period 27
- 2. Ideological and Spectatorial Formations 71
- 3. State Formation and Nonfiction Cinema: Syncretic Westernization during the First Pahlavi Period 141
- 4. A Transitional Cinema: The Feature Film Industry and Sound Cinema 197
- 5. Modernity’s Ambivalent Subjectivity: Dandies and the Dandy Movie Genre 277
- Notes 309
- Bibliography 343
- Index 371
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xiii
- Organization of the Volumes xxi
- A Word about Illustrations xxvii
- Preface: How It All Began xxix
- Introduction: National Cinema, Modernity, and Iranian National Identity 1
- 1. Artisanal Silent Cinema in the Qajar Period 27
- 2. Ideological and Spectatorial Formations 71
- 3. State Formation and Nonfiction Cinema: Syncretic Westernization during the First Pahlavi Period 141
- 4. A Transitional Cinema: The Feature Film Industry and Sound Cinema 197
- 5. Modernity’s Ambivalent Subjectivity: Dandies and the Dandy Movie Genre 277
- Notes 309
- Bibliography 343
- Index 371