Kapitel
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one. Ethnicizing the Nation
The India Bonita Contest of 1921
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Rick A. López
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgments ix
- Introduction. Nation Formation, Popular Art, and the Search for a Mexican Aesthetic 1
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part I. Indianness and the Postrevolutionary Mexican Nation
- one. Ethnicizing the Nation 29
- two. Popular Art and the Staging of Indianness 65
- three. Foreign- Mexican Collaboration, 1920–1940 95
- four. The Postrevolutionary Cultural Project, 1916–1938 127
- five. The Museum and the Market, 1929–1948 151
- six. Formulating a State Policy toward Popular Art, 1937–1974 175
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part II. Alternative Narratives of Metropolitan Intervention
- seven. The “Unbroken Tradition” of Olinalá from the Aztecs through the Revolution 201
- eight. Transnational Renaissance and Local Power Struggles, 1920s to 1940s 245
- nine. The Road to Olinalá, 1935–1972 279
- Conclusions 305
- Notes 315
- Bibliography 365
- index 397
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgments ix
- Introduction. Nation Formation, Popular Art, and the Search for a Mexican Aesthetic 1
-
part I. Indianness and the Postrevolutionary Mexican Nation
- one. Ethnicizing the Nation 29
- two. Popular Art and the Staging of Indianness 65
- three. Foreign- Mexican Collaboration, 1920–1940 95
- four. The Postrevolutionary Cultural Project, 1916–1938 127
- five. The Museum and the Market, 1929–1948 151
- six. Formulating a State Policy toward Popular Art, 1937–1974 175
-
part II. Alternative Narratives of Metropolitan Intervention
- seven. The “Unbroken Tradition” of Olinalá from the Aztecs through the Revolution 201
- eight. Transnational Renaissance and Local Power Struggles, 1920s to 1940s 245
- nine. The Road to Olinalá, 1935–1972 279
- Conclusions 305
- Notes 315
- Bibliography 365
- index 397