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Chapter two. Originality and Sin Calico, Capitalism, and the Copyright of Designs, 1839–1851
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Chapters in this book
- Frontmatter i
- Contents ix
- List of Illustrations xi
- Acknowledgments xv
- Introduction 1
- Chapter one. Confıguring Design Artisans, Aesthetics, and Aspiration in Early Victorian Britain 19
- Chapter two. Originality and Sin Calico, Capitalism, and the Copyright of Designs, 1839–1851 52
- Chapter three. Commodifıcation and Its Discontents Labor, Print Culture, and Industrial Art at the Great Exhibition of 1851 86
- Chapter four. Principled Disagreements The Museum of Ornamental Art and Its Critics, 1852–1856 –1872 126
- Chapter five. Cultural Locations South Kensington, Bethnal Green, and the Working Man, 1857–1872 160
- Afterword. Travels in South Kensington 191
- Notes 203
- Bibliography 253
- Index 293
Chapters in this book
- Frontmatter i
- Contents ix
- List of Illustrations xi
- Acknowledgments xv
- Introduction 1
- Chapter one. Confıguring Design Artisans, Aesthetics, and Aspiration in Early Victorian Britain 19
- Chapter two. Originality and Sin Calico, Capitalism, and the Copyright of Designs, 1839–1851 52
- Chapter three. Commodifıcation and Its Discontents Labor, Print Culture, and Industrial Art at the Great Exhibition of 1851 86
- Chapter four. Principled Disagreements The Museum of Ornamental Art and Its Critics, 1852–1856 –1872 126
- Chapter five. Cultural Locations South Kensington, Bethnal Green, and the Working Man, 1857–1872 160
- Afterword. Travels in South Kensington 191
- Notes 203
- Bibliography 253
- Index 293