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3. The ‘‘Evening of Emerson’’: Martí’s Postcolonial Double Consciousness
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Laura Lomas
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- Preface: Criticar es Amar: Translation and Self-Criticism ix
- Introduction: Metropolitan Debts, Imperial Modernity, and Latino Modernism 1
- 1. Latino American Postcolonial Theory from a Space In-Between 41
- 2. La América with an Accent: North Americans, Spanish-Language Print Culture, and American Modernities 83
- 3. The ‘‘Evening of Emerson’’: Martí’s Postcolonial Double Consciousness 130
- 4. Martí’s ‘‘Mock-Congratulatory Signs’’: Walt Whitman’s Occult Artistry 177
- 5. Martí’s Border Writing: Infiltrative Translation, Late Nineteenth- Century ‘‘Latinness,’’ and the Perils of Pan-Americanism 216
- Conclusion. Cross-Pollinating ‘‘Dust on Butterfly’s Wings’’: Latina/o Writing and Culture Beyond and After Martí 278
- Notes 285
- Bibliography 347
- Index 375
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Preface: Criticar es Amar: Translation and Self-Criticism ix
- Introduction: Metropolitan Debts, Imperial Modernity, and Latino Modernism 1
- 1. Latino American Postcolonial Theory from a Space In-Between 41
- 2. La América with an Accent: North Americans, Spanish-Language Print Culture, and American Modernities 83
- 3. The ‘‘Evening of Emerson’’: Martí’s Postcolonial Double Consciousness 130
- 4. Martí’s ‘‘Mock-Congratulatory Signs’’: Walt Whitman’s Occult Artistry 177
- 5. Martí’s Border Writing: Infiltrative Translation, Late Nineteenth- Century ‘‘Latinness,’’ and the Perils of Pan-Americanism 216
- Conclusion. Cross-Pollinating ‘‘Dust on Butterfly’s Wings’’: Latina/o Writing and Culture Beyond and After Martí 278
- Notes 285
- Bibliography 347
- Index 375
