CONTENTS

Chapters in this book

1. Frontmatter i
2. CONTENTS vii
3. ACKNOWLEDGEMENTS ix
4. INTRODUCTION Spectatorship, Affect, and Representation 1
5. CHAPTER 1 Moral Spectatorship: Rethinking Identification in Film Theory 11
6. CHAPTER 2 The (Deaf) Woman’s Film and the Quiet Revolution in Film Sound: On Projection, Incorporation, and Voice 51
7. CHAPTER 3 “A Child Is Being Beaten”: Disorders of Authorship, Agency, and Affect in Facilitated Communication 157
8. CONCLUSION On Empathy and Moral Spectatorship 229
9. NOTES 241
10. REFERENCES 255
11. INDEX 281