Acknowledgments

Sujatha Fernandes

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Acknowledgments

Sujatha Fernandes

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Fernandes, Sujatha. "Acknowledgments". Cuba Represent!: Cuban Arts, State Power, and the Making of New Revolutionary Cultures, New York, USA: Duke University Press, 2006, pp. xv-xx. https://doi.org/10.1515/9780822388227-003

Fernandes, S. (2006). Acknowledgments. In Cuba Represent!: Cuban Arts, State Power, and the Making of New Revolutionary Cultures (pp. xv-xx). New York, USA: Duke University Press. https://doi.org/10.1515/9780822388227-003

Fernandes, S. 2006. Acknowledgments. Cuba Represent!: Cuban Arts, State Power, and the Making of New Revolutionary Cultures. New York, USA: Duke University Press, pp. xv-xx. https://doi.org/10.1515/9780822388227-003

Fernandes, Sujatha. "Acknowledgments" In Cuba Represent!: Cuban Arts, State Power, and the Making of New Revolutionary Cultures, xv-xx. New York, USA: Duke University Press, 2006. https://doi.org/10.1515/9780822388227-003

Fernandes S. Acknowledgments. In: Cuba Represent!: Cuban Arts, State Power, and the Making of New Revolutionary Cultures. New York, USA: Duke University Press; 2006. p.xv-xx. https://doi.org/10.1515/9780822388227-003

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Chapters in this book

Frontmatter i
Contents vii
Illustrations ix
Preface xi
Acknowledgments xv
Introduction: Artistic Public Spheres and the State 1
1. Remaking Conceptual Worlds: Changing Ideologies in Socialist Cuba 23
2. Old Utopias, New Realities: Film Publics, Critical Debates, and New Modes of Incorporation 42
3. Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power 85
4. Postwar Reconstructions: State Institutions, Public Art, and the New Market Conditions of Production 135
Conclusion 181
Notes 191
Bibliography 199
Index 213

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https://doi.org/10.1515/9780822388227-003

Chapters in this book

Frontmatter i
Contents vii
Illustrations ix
Preface xi
Acknowledgments xv
Introduction: Artistic Public Spheres and the State 1
1. Remaking Conceptual Worlds: Changing Ideologies in Socialist Cuba 23
2. Old Utopias, New Realities: Film Publics, Critical Debates, and New Modes of Incorporation 42
3. Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power 85
4. Postwar Reconstructions: State Institutions, Public Art, and the New Market Conditions of Production 135
Conclusion 181
Notes 191
Bibliography 199
Index 213

Acknowledgments

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