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Chapter 6. ‘‘A fine painting . . . but not Indian’’: Oscar Howe, Dick West, and Native American Modernism
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Bill Anthes
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- AUTHOR’S NOTE ix
- Preface xi
- Acknowledgments xxix
- Chapter 1. Art and Modern Indian Policy 1
- Chapter 2. The Culture Brokers: The Pueblo Paintings of José Lente and Jimmy Byrnes 30
- Chapter 3. ‘‘Our Inter-American Consciousness’’: Barnett Newman and the Primitive Universal 59
- Chapter 4. The Importance of Place: The Ojibwe Modernism of Patrick DesJarlait and George Morrison 89
- Chapter 5. Becoming Indian: The Self-Invention of Yeffe Kimball 117
- Chapter 6. ‘‘A fine painting . . . but not Indian’’: Oscar Howe, Dick West, and Native American Modernism 142
- Postscript: Making Modern Native American Artists 171
- Notes 183
- Bibliography 217
- Index 227
- FIGURES 237
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- AUTHOR’S NOTE ix
- Preface xi
- Acknowledgments xxix
- Chapter 1. Art and Modern Indian Policy 1
- Chapter 2. The Culture Brokers: The Pueblo Paintings of José Lente and Jimmy Byrnes 30
- Chapter 3. ‘‘Our Inter-American Consciousness’’: Barnett Newman and the Primitive Universal 59
- Chapter 4. The Importance of Place: The Ojibwe Modernism of Patrick DesJarlait and George Morrison 89
- Chapter 5. Becoming Indian: The Self-Invention of Yeffe Kimball 117
- Chapter 6. ‘‘A fine painting . . . but not Indian’’: Oscar Howe, Dick West, and Native American Modernism 142
- Postscript: Making Modern Native American Artists 171
- Notes 183
- Bibliography 217
- Index 227
- FIGURES 237