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The Fair Ensemble: Kate Chopin in St. Louis in 1904

© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Preface xi
  4. Acknowledgments xv
  5. Intimidations of Empire: Predicaments of the Tactile and Unseen 1
  6. Tense and Tender Ties: The Politics of Comparison in North American History and (Post) Colonial Studies 23
  7. Convergence and Comparison
  8. Samoa’s Half-Castes and Some Frontiers of Comparison 71
  9. States of Hygiene: Race ‘‘Improvement’’ and Biomedical Citizenship in Australia and the Colonial Philippines 94
  10. Adjudicating Intimacies on U.S. Frontiers 116
  11. Proper Caresses and Prudent Distance: A How-To Manual from Colonial Louisiana 140
  12. ‘‘His Kingdom for a Kiss’’: Indians and Intimacy in the Narrative of John Marrant 163
  13. Proximities of Power
  14. The Intimacies of Four Continents 191
  15. Body Work in the Antebellum United States 213
  16. Fractions and Fictions in the United States Census of 1890 240
  17. The Fair Ensemble: Kate Chopin in St. Louis in 1904 271
  18. ‘‘The Perfect Mistress of Russian Economy’’: Sighting the Intimate on a Colonial Alaskan Terrain, 1784–182 297
  19. Circuits of Knowledge Production
  20. An Empire of Tests: Psychometrics and the Paradoxes of Nationalism in the Americas 325
  21. Making ‘‘American’’ Families: Transnational Adoption and U.S. Latin America Policy 344
  22. The Darkness That Enters the Home: The Politics of Prostitution during the Philippine-American War 366
  23. Ordering Others: U.S. Financial Advisers in the Early Twentieth Century 405
  24. Refractions
  25. Internal Colonialism and Gender 427
  26. Commentary 452
  27. Afterword 469
  28. Bibliography 473
  29. Contributors 531
  30. Index 535
Haunted by Empire
This chapter is in the book Haunted by Empire
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