Chapters in this book

1. Frontmatter i
2. Contents v
3. Introduction: Wiggle Room 1
4. 1. Media
5. Intervening from and through Research Practice: Meditations on the Cuzco Workshop 31
6. Between Technology and Culture: Communication and Modernity in Latin America 37
7. DNA of Performance 52
8. A City that Improvises Its Globalization 82
9. 2. Maneuvers
10. The Cultural Agency of Wounded Bodies Politic: Ethnicity and Gender as Prosthetic Support in Postwar Guatemala 93
11. Tradition, Transnationalism, and Gender in the Afro-Brazilian Candomblé 121
12. The Discourses of Diversity: Language, Ethnicity, and Interculturality in Latin America 146
13. Conspiracy on the Sidelines: How the Maya Won the War 167
14. Radio Taino and the Cuban Quest for Identi . . . qué? 178
15. Olodum’s Transcultural Spaces: Community and Difference in Afro- Brazilian Contemporary Performance 203
16. Political Construction and Cultural Instrumentalities of Indigenism in Brazil, with Echoes from Latin America 229
17. Questioning State Geographies of Inclusion in Argentina: The Cultural Politics of Organizations with Mapuche Leadership and Philosophy 248
18. 3. Cautions
19. Cultural Agency and Political Struggle in the Era of the Indio Permitido 281
20. The Crossroads of Faith: Heroism and Melancholia in the Colombian ‘‘Violentologists’’ (1980–2000) 305
21. Afterword: A Fax, Two Moles, a Consul, and a Judge 326
22. Afterword: Spread It Around! 334
23. References 341
24. Contributors 371
25. Index 375