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Chapter
Publicly Available
Preface
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Preface ix
- Acknowledgments xi
- Introduction xiii
-
PART I: HARLEM BORN AND BRED
- 1 From the Cradle to the Classroom in the 1930s 1
- 2 Growing Up on Sugar Hill in the 1940s 25
-
PART II: MEN, MARRIAGE, AND MOTHERHOOD
- 3 Men and Marriage in the 1950s and 1960s 39
- 4 My Mother Was Perfect, or So She Said 67
- Color Plates 5 Parental Politics: My Daughters and Me 81
-
PART III: MAKING ART, MAKING WAVES, AND MAKING MONEY
- 6 A European Trip Ends with a Death in the Family 131
- 7 The 1960s: Is There a Black Art 143
- 8 The End of the 1960s: Out of the Studio and into the Streets 165
- 9 The 1970s: Is There a Woman's Art 173
- 10 Teaching Art: Those Who Can Should 217
- 11 We Flew over the Bridge: Performance Art, Story Quilts, and Tar Beach 237
- Appendix: Matisse's Chapel 273
- Faith Ringgold Chronology 275
- Public and Private Collections 279
- Index 281
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Preface ix
- Acknowledgments xi
- Introduction xiii
-
PART I: HARLEM BORN AND BRED
- 1 From the Cradle to the Classroom in the 1930s 1
- 2 Growing Up on Sugar Hill in the 1940s 25
-
PART II: MEN, MARRIAGE, AND MOTHERHOOD
- 3 Men and Marriage in the 1950s and 1960s 39
- 4 My Mother Was Perfect, or So She Said 67
- Color Plates 5 Parental Politics: My Daughters and Me 81
-
PART III: MAKING ART, MAKING WAVES, AND MAKING MONEY
- 6 A European Trip Ends with a Death in the Family 131
- 7 The 1960s: Is There a Black Art 143
- 8 The End of the 1960s: Out of the Studio and into the Streets 165
- 9 The 1970s: Is There a Woman's Art 173
- 10 Teaching Art: Those Who Can Should 217
- 11 We Flew over the Bridge: Performance Art, Story Quilts, and Tar Beach 237
- Appendix: Matisse's Chapel 273
- Faith Ringgold Chronology 275
- Public and Private Collections 279
- Index 281