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4. The Buffoon’s Comedy: Jokes, Gender, and Discursive Distance
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Susan Seizer
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Illustrations xiii
- Acknowledgments xv
- Notes on Transliteration xxi
- Introduction 1
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PART ONE. The History and Organization of Special Drama
- 1. Legacies of Discourse: Special Drama and Its History 43
- 2. Prestige Hierarchies in Two and Three Dimensions: Drama Notices and the Organization of Special Drama 86
- 3. Discipline in Practice: The Actors Sangam 146
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PART TWO. Comedy
- 4. The Buffoon’s Comedy: Jokes, Gender, and Discursive Distance 177
- 5. The Buffoon-Dance Duet: Social Space and Gendered Place 202
- 6. The Aṭipiṭi Scene: Laughing at Domestic Violence 232
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PART THREE. Lives
- 7. The Drama Tongue and the Local Eye 277
- 8. The Roadwork of Actresses 301
- 9. Kinship Murai and the Stigma on Actors 334
- Epilogue 365
- Appendix 1: Sangam Rules 375
- Appendix 2: Tamil Transliteration of Buffoon Selvam’s Monologue, 1 April 1992 381
- Notes 385
- Works Cited 417
- Index 433
- Plates 443
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Illustrations xiii
- Acknowledgments xv
- Notes on Transliteration xxi
- Introduction 1
-
PART ONE. The History and Organization of Special Drama
- 1. Legacies of Discourse: Special Drama and Its History 43
- 2. Prestige Hierarchies in Two and Three Dimensions: Drama Notices and the Organization of Special Drama 86
- 3. Discipline in Practice: The Actors Sangam 146
-
PART TWO. Comedy
- 4. The Buffoon’s Comedy: Jokes, Gender, and Discursive Distance 177
- 5. The Buffoon-Dance Duet: Social Space and Gendered Place 202
- 6. The Aṭipiṭi Scene: Laughing at Domestic Violence 232
-
PART THREE. Lives
- 7. The Drama Tongue and the Local Eye 277
- 8. The Roadwork of Actresses 301
- 9. Kinship Murai and the Stigma on Actors 334
- Epilogue 365
- Appendix 1: Sangam Rules 375
- Appendix 2: Tamil Transliteration of Buffoon Selvam’s Monologue, 1 April 1992 381
- Notes 385
- Works Cited 417
- Index 433
- Plates 443