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Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction 1
- Always Something New: Changing Fashions in a ‘‘Traditional Culture’’ 17
- The Emergence of the Santeras: Renewed Strength for Traditional Puerto Rican Art 35
- Kuna Women’s Arts: Molas, Meaning, and Markets 47
- Connections: Creative Expressions of Canelos Quichua Women 73
- Engendering Clay: Las Ceramistas of Mata Ortiz 98
- Women’s Folk Art in La Chamba, Colombia 126
- The Mapuche Craftswomen 155
- Women’s Prayers: The Aesthetics and Meaning of Female Votive Paintings in Chalma 169
- Earth Magic: The Legacy of Teodora Blanco 197
- Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes 220
- Contributors 237
- Index 239
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction 1
- Always Something New: Changing Fashions in a ‘‘Traditional Culture’’ 17
- The Emergence of the Santeras: Renewed Strength for Traditional Puerto Rican Art 35
- Kuna Women’s Arts: Molas, Meaning, and Markets 47
- Connections: Creative Expressions of Canelos Quichua Women 73
- Engendering Clay: Las Ceramistas of Mata Ortiz 98
- Women’s Folk Art in La Chamba, Colombia 126
- The Mapuche Craftswomen 155
- Women’s Prayers: The Aesthetics and Meaning of Female Votive Paintings in Chalma 169
- Earth Magic: The Legacy of Teodora Blanco 197
- Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes 220
- Contributors 237
- Index 239