Introduction: From Ethnoaesthetics to Art History

Fred R. Myers

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Introduction: From Ethnoaesthetics to Art History

Fred R. Myers

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Myers, Fred R.. "Introduction: From Ethnoaesthetics to Art History". Painting Culture: The Making of an Aboriginal High Art, edited by Nicholas Thomas, New York, USA: Duke University Press, 2002, pp. 1-16. https://doi.org/10.1515/9780822384168-003

Myers, F. (2002). Introduction: From Ethnoaesthetics to Art History. In N. Thomas (Ed.), Painting Culture: The Making of an Aboriginal High Art (pp. 1-16). New York, USA: Duke University Press. https://doi.org/10.1515/9780822384168-003

Myers, F. 2002. Introduction: From Ethnoaesthetics to Art History. In: Thomas, N. ed. Painting Culture: The Making of an Aboriginal High Art. New York, USA: Duke University Press, pp. 1-16. https://doi.org/10.1515/9780822384168-003

Myers, Fred R.. "Introduction: From Ethnoaesthetics to Art History" In Painting Culture: The Making of an Aboriginal High Art edited by Nicholas Thomas, 1-16. New York, USA: Duke University Press, 2002. https://doi.org/10.1515/9780822384168-003

Myers F. Introduction: From Ethnoaesthetics to Art History. In: Thomas N (ed.) Painting Culture: The Making of an Aboriginal High Art. New York, USA: Duke University Press; 2002. p.1-16. https://doi.org/10.1515/9780822384168-003

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Chapters in this book

Frontmatter i
Contents ix
Acknowledgments xi
Prologue xv
Introduction: From Ethnoaesthetics to Art History 1
1 Truth or Beauty: The Revelatory Regime of Pintupi Painting 17
2 Practices of Painting: A Local History and a Vexed Intersection 54
3 The Aesthetic Function and the Practice of Pintupi Painting: A Local Art History 80
4 Making a Market: Cultural Policy and Modernity in the Outback 120
5 Burned Out, Outback: Art AdvisersWorking between TwoWorlds 147
6 The ‘‘Industry’’: Exhibition Success and Economic Rationalization 184
7 After the Fall: In the Arts Industry 209
8 Materializing Culture and the New Internationalism 230
9 Performing Aboriginality at the Asia Society Gallery 255
10 Postprimitivism: Lines of Tension in the Making of Aboriginal High Art 277
11 Unsettled Business 315
12 Recontextualizations: The Traffic in Culture 342
Appendix: A Short History of Papunya Tula Exhibition, 1971–1985 363
Notes 365
References 373
Index 391

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https://doi.org/10.1515/9780822384168-003

Chapters in this book

Frontmatter i
Contents ix
Acknowledgments xi
Prologue xv
Introduction: From Ethnoaesthetics to Art History 1
1 Truth or Beauty: The Revelatory Regime of Pintupi Painting 17
2 Practices of Painting: A Local History and a Vexed Intersection 54
3 The Aesthetic Function and the Practice of Pintupi Painting: A Local Art History 80
4 Making a Market: Cultural Policy and Modernity in the Outback 120
5 Burned Out, Outback: Art AdvisersWorking between TwoWorlds 147
6 The ‘‘Industry’’: Exhibition Success and Economic Rationalization 184
7 After the Fall: In the Arts Industry 209
8 Materializing Culture and the New Internationalism 230
9 Performing Aboriginality at the Asia Society Gallery 255
10 Postprimitivism: Lines of Tension in the Making of Aboriginal High Art 277
11 Unsettled Business 315
12 Recontextualizations: The Traffic in Culture 342
Appendix: A Short History of Papunya Tula Exhibition, 1971–1985 363
Notes 365
References 373
Index 391

Introduction: From Ethnoaesthetics to Art History

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Chapters in this book

Chapters in this book