Frontmatter

Stefan Mattessich

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Frontmatter

Stefan Mattessich

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Mattessich, Stefan. "Frontmatter". Lines of Flight: Discursive Time and Countercultural Desire in the Work of Thomas Pynchon, edited by Stanley Fish and Fredric Jameson, New York, USA: Duke University Press, 2002, pp. i-vi. https://doi.org/10.1515/9780822384137-fm

Mattessich, S. (2002). Frontmatter. In S. Fish & F. Jameson (Ed.), Lines of Flight: Discursive Time and Countercultural Desire in the Work of Thomas Pynchon (pp. i-vi). New York, USA: Duke University Press. https://doi.org/10.1515/9780822384137-fm

Mattessich, S. 2002. Frontmatter. In: Fish, S. and Jameson, F. ed. Lines of Flight: Discursive Time and Countercultural Desire in the Work of Thomas Pynchon. New York, USA: Duke University Press, pp. i-vi. https://doi.org/10.1515/9780822384137-fm

Mattessich, Stefan. "Frontmatter" In Lines of Flight: Discursive Time and Countercultural Desire in the Work of Thomas Pynchon edited by Stanley Fish and Fredric Jameson, i-vi. New York, USA: Duke University Press, 2002. https://doi.org/10.1515/9780822384137-fm

Mattessich S. Frontmatter. In: Fish S, Jameson F (ed.) Lines of Flight: Discursive Time and Countercultural Desire in the Work of Thomas Pynchon. New York, USA: Duke University Press; 2002. p.i-vi. https://doi.org/10.1515/9780822384137-fm

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Chapters in this book

Frontmatter i
CONTENTS vii
Introduction 1
1 Imperium, Misogyny, and Postmodern Parody in V. 23
2 Ekphrasis, Escape, and Countercultural Desire in The Crying of Lot 49 43
3 Turning Around the Origin in Gravity’s Rainbow: Parody, Preterition, Paranoia, and Other Polymera 70
4 A Close Reading of Part 1, Episode 19, of Gravity’s Rainbow 95
5 Docile Bodies and the Body without Organs: Gravity’s Gravity’s Rainbow 133
6 Totality and the Repetition of Di√erence: Rereading the 1960s in Vineland 207
7 A Vigilant Folly: Lines of Flight in Mason & Dixon 231
Conclusion: Toward a Theory of the Counterculture 246
Notes 255
Works Cited 285
Index 289

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https://doi.org/10.1515/9780822384137-fm

Chapters in this book

Frontmatter i
CONTENTS vii
Introduction 1
1 Imperium, Misogyny, and Postmodern Parody in V. 23
2 Ekphrasis, Escape, and Countercultural Desire in The Crying of Lot 49 43
3 Turning Around the Origin in Gravity’s Rainbow: Parody, Preterition, Paranoia, and Other Polymera 70
4 A Close Reading of Part 1, Episode 19, of Gravity’s Rainbow 95
5 Docile Bodies and the Body without Organs: Gravity’s Gravity’s Rainbow 133
6 Totality and the Repetition of Di√erence: Rereading the 1960s in Vineland 207
7 A Vigilant Folly: Lines of Flight in Mason & Dixon 231
Conclusion: Toward a Theory of the Counterculture 246
Notes 255
Works Cited 285
Index 289

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