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3. Telling the Story of Genocide in Leslie Marmon Silko’s Almanac of the Dead
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Sharon Patricia Holland
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Raising the Dead 1
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PART ONE. Imaginative Places, White Spaces: If Only the Dead Could Speak
- 1. Death and the Nation’s Subjects 13
- 2. Bakulu Discourse: Bodies Made ‘‘Flesh’’ in Toni Morrison’s Beloved 41
- 3. Telling the Story of Genocide in Leslie Marmon Silko’s Almanac of the Dead 68
- PART TWO. Dead Bodies, Queer Subjects 101
- 4. (Pro)Creating Imaginative Spaces and Other Queer Acts: Randall Kenan’s AVisitation of Spirits and Its Revival of James Baldwin’s Absent Black Gay Man in Giovanni’s Room 103
- 5. ‘‘From This Moment Forth,We Are Black Lesbians’’: Querying Feminism and Killing the Self in Consolidated’s Business of Punishment 124
- 6. Critical Conversations at the Boundary between Life and Death 149
- EPILOGUE ‘‘I’m in the Zone’’: Bill T. Jones, Tupac Shakur, and the (Queer) Art of Death 173
- Notes 183
- Selected Bibliography 209
- Index 227
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Raising the Dead 1
-
PART ONE. Imaginative Places, White Spaces: If Only the Dead Could Speak
- 1. Death and the Nation’s Subjects 13
- 2. Bakulu Discourse: Bodies Made ‘‘Flesh’’ in Toni Morrison’s Beloved 41
- 3. Telling the Story of Genocide in Leslie Marmon Silko’s Almanac of the Dead 68
- PART TWO. Dead Bodies, Queer Subjects 101
- 4. (Pro)Creating Imaginative Spaces and Other Queer Acts: Randall Kenan’s AVisitation of Spirits and Its Revival of James Baldwin’s Absent Black Gay Man in Giovanni’s Room 103
- 5. ‘‘From This Moment Forth,We Are Black Lesbians’’: Querying Feminism and Killing the Self in Consolidated’s Business of Punishment 124
- 6. Critical Conversations at the Boundary between Life and Death 149
- EPILOGUE ‘‘I’m in the Zone’’: Bill T. Jones, Tupac Shakur, and the (Queer) Art of Death 173
- Notes 183
- Selected Bibliography 209
- Index 227