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Sappers in the stacks: colonial archives, land mines, and truth commissions
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Barbara Harlow
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction 1
- Edward Said talks to Jacqueline Rose 9
- The panic of the visual: a conversation with Edward W. Said 31
- Race before racism: the disappearance of the American 51
- Criticism between opposition and counterpoint 66
- The matter of language 78
- In responses begins responsibility: music and emotion 97
- The sublime lyrical abstractions of EdwardW. Said 114
- Uses of aesthetics: after orientalism 139
- EdwardW. Said and the American public sphere: speaking truth to power 152
- Sappers in the stacks: colonial archives, land mines, and truth commissions 165
- Counternarratives, recoveries, refusals 187
- Auerbach in Istanbul: Edward Said, secular criticism, and the question of minority culture 229
- Exoticism and orientalism in music: problems for the worldly critic 257
- Notes 283
- Index 313
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction 1
- Edward Said talks to Jacqueline Rose 9
- The panic of the visual: a conversation with Edward W. Said 31
- Race before racism: the disappearance of the American 51
- Criticism between opposition and counterpoint 66
- The matter of language 78
- In responses begins responsibility: music and emotion 97
- The sublime lyrical abstractions of EdwardW. Said 114
- Uses of aesthetics: after orientalism 139
- EdwardW. Said and the American public sphere: speaking truth to power 152
- Sappers in the stacks: colonial archives, land mines, and truth commissions 165
- Counternarratives, recoveries, refusals 187
- Auerbach in Istanbul: Edward Said, secular criticism, and the question of minority culture 229
- Exoticism and orientalism in music: problems for the worldly critic 257
- Notes 283
- Index 313