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1 MUSIC’S MATERIAL DEPENDENCY
What Underwater Opera Can Tell Us about Odysseus’s Ears
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- ILLUSTRATIONS viii
- ACKNOWLEDGMENTS xi
- INTRODUCTION 1
- 1 MUSIC’S MATERIAL DEPENDENCY 27
- 2 THE ACOUSTIC MEDIATION OF VOICE, SELF, AND OTHERS 58
- 3 MUSIC AS ACTION 95
- 4 ALL VOICE, ALL EARS 132
- 5 MUSIC AS A VIBRATIONAL PRACTICE 154
- NOTES 187
- BIBLIOGRAPHY 241
- INDEX 261
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ILLUSTRATIONS viii
- ACKNOWLEDGMENTS xi
- INTRODUCTION 1
- 1 MUSIC’S MATERIAL DEPENDENCY 27
- 2 THE ACOUSTIC MEDIATION OF VOICE, SELF, AND OTHERS 58
- 3 MUSIC AS ACTION 95
- 4 ALL VOICE, ALL EARS 132
- 5 MUSIC AS A VIBRATIONAL PRACTICE 154
- NOTES 187
- BIBLIOGRAPHY 241
- INDEX 261
