Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Contributors ix
5. Introduction. Release—(non-)origination—concepts 1
6. Part one. Origination and auto-origination of the image
7. One. “Self-generated” images 27
8. Two. Cézanne’s certitude 44
9. Three. Nymphs 60
10. Part two. The new media of images (video, sound, digital)
11. Four. From fixed to fluid: material-mental images between neural synchronization and computational mediation 83
12. Five. When the ear dreams: dolby digital and the imagination of sound 112
13. Six. Imaging sound in new media art: asia acoustics, distributed 137
14. Seven. Three theses on the life-image (deleuze, cinema, bio-politics) 156
15. Part three. Past and future itineraries of the image-concept
16. Eight. On producing the concept of the image-concept 171
17. Nine. The romantic image of the intentional structure 181
18. Ten. Ur-ability: force and image from kant to benjamin 204
19. Eleven. The tongue of the eye: what “art history” means 222
20. Notes 237
21. Index 281