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Chapter
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Acknowledgments
Chapters in this book
- Frontmatter i
- Table of Contents vii
- Illustrations xi
- Preface xiii
- Acknowledgments xxi
- Introduction. Mixed Race in the Post-Race Era 1
- Chapter One. The Mis-education of Mixed Race 27
- Chapter Two. The “Ethno-Ambiguo Hostility Syndrome” of the “Halfrican American”: Mixed Race in Aaron McGruder’s The Boondocks and Nate Creekmore’s Maintaining 57
- Chapter Three. Passing in the Post-Race Era: Danzy Senna’s Caucasia, Philip Roth’s The Human Stain, and Colson Whitehead’s The Intuitionist 96
- Chapter Four. “People just like us”: Emily Raboteau’s The Professor’s Daughter, Danzy Senna’s Symptomatic, and the Mixed Race Anti-Bildungsroman 125
- Chapter Five. “They’s mo’ to bein’ black than meets the eye!”: Performing Mixed Race in Dave Chappelle’s “The Racial Draft” and Carl Hancock Rux’s Talk 160
- Notes 205
- Bibliography 243
- Index 263
Chapters in this book
- Frontmatter i
- Table of Contents vii
- Illustrations xi
- Preface xiii
- Acknowledgments xxi
- Introduction. Mixed Race in the Post-Race Era 1
- Chapter One. The Mis-education of Mixed Race 27
- Chapter Two. The “Ethno-Ambiguo Hostility Syndrome” of the “Halfrican American”: Mixed Race in Aaron McGruder’s The Boondocks and Nate Creekmore’s Maintaining 57
- Chapter Three. Passing in the Post-Race Era: Danzy Senna’s Caucasia, Philip Roth’s The Human Stain, and Colson Whitehead’s The Intuitionist 96
- Chapter Four. “People just like us”: Emily Raboteau’s The Professor’s Daughter, Danzy Senna’s Symptomatic, and the Mixed Race Anti-Bildungsroman 125
- Chapter Five. “They’s mo’ to bein’ black than meets the eye!”: Performing Mixed Race in Dave Chappelle’s “The Racial Draft” and Carl Hancock Rux’s Talk 160
- Notes 205
- Bibliography 243
- Index 263