The Jewish Persona in the European Imagination
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Leonid Livak
About this book
This book proposes that the idea of the Jews in European cultures has little to do with actual Jews, but rather is derived from the conception of Jews as Christianity's paradigmatic Other, eternally reenacting their morally ambiguous New Testament role as the Christ-bearing and -killing chosen people of God. Through new readings of canonical Russian literary texts by Gogol, Turgenev, Chekhov, Babel, and others, the author argues that these European writers—Christian, secular, and Jewish—based their representation of Jews on the Christian exegetical tradition of anti-Judaism. Indeed, Livak disputes the classification of some Jewish writers as belonging to "Jewish literature," arguing that such an approach obscures these writers' debt to European literary traditions and their ambivalence about their Jewishness.
This work seeks to move the study of Russian literature, and Russian-Jewish literature in particular, down a new path. It will stir up controversy around Christian-Jewish cultural interaction; the representation of otherness in European arts and folklore; modern Jewish experience; and Russian literature and culture.
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Frontmatter
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Contents
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List of Illustrations
vii -
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Acknowledgments
ix -
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Note on Transliteration and Translation
xi -
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Introduction. The Western Wall of Russian Literature
1 - Part I. The Generative Model of “the jews”
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One. “The jews” in Christian Theology and Myth
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Two. Archetypal Elaboration
55 -
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Three. Animal Symbols and Human Types
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Four. The Semiotics of the “jewish” Body
88 - Part II. How Gogol’s Iankel' Is Made
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Five. “Taras Bul'ba” in Context
105 -
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Six. The Theology of Archetypes in “Taras Bul'ba”
114 -
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Seven. The Opponent
122 -
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Eight. The Eschatology of “Taras Bul'ba”
129 -
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Nine. The Temptation of Taras
138 -
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Ten. The Helper
151 - Part III. The Discreet Pleasures of Liberalism
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Eleven. Liberalism, Modernity, and Semi(o)tic Chaos
163 -
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Twelve. Ivan Turgenev’s Crime and Punishment
177 -
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Thirteen. Uncle Iankel’s Cabin
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Fourteen. Of Chekhov and Garlic
233 - Part IV. Concerto for Flute Without Orchestra
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Fifteen. Reb Goethe and the Problematics of Russian-Jewish Authorship
281 -
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Sixteen. Isaak Babel’s Portrait of the Artist as a Former Jew
300 -
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Seventeen. Writing and Reading in the Margins
337 -
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Notes
371 -
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Works Cited
439 -
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Index
483