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Conclusion. Art history and art practice— some future possibilities
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Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgements ix
- Introduction 1
- 1. Against reductionism: the intrinsic significance of the image 9
- 2. Figure, plane, and frame: the phenomenology of pictorial space 35
- 3. Pictorial representation and self-consciousness 60
- 4. The presence of the painter 72
- 5. Sculpture and transcendence 86
- 6. The logic and phenomenology of abstract art 99
- 7. The logic of Conceptualism 120
- 8. The phenomenology of photography 139
- 9. Ontology and aesthetics of digital art 153
- 10. The body of architecture 173
- Conclusion. Art history and art practice— some future possibilities 207
- Notes 223
- Index 243
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgements ix
- Introduction 1
- 1. Against reductionism: the intrinsic significance of the image 9
- 2. Figure, plane, and frame: the phenomenology of pictorial space 35
- 3. Pictorial representation and self-consciousness 60
- 4. The presence of the painter 72
- 5. Sculpture and transcendence 86
- 6. The logic and phenomenology of abstract art 99
- 7. The logic of Conceptualism 120
- 8. The phenomenology of photography 139
- 9. Ontology and aesthetics of digital art 153
- 10. The body of architecture 173
- Conclusion. Art history and art practice— some future possibilities 207
- Notes 223
- Index 243