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Introduction

Prosecuting the Duchamp Case
© 2003 State University of New York

© 2003 State University of New York

Kapitel in diesem Buch

  1. Front Matter i
  2. Contents ix
  3. Illustrations xi
  4. Introduction 1
  5. An Esoteric French Adolescence for Duchamp: Symbolist Culture and Occultism 13
  6. The Invention of the Modern Alchemist-Artist 37
  7. The Cultural Shaping of an Artist-Iconoclast: Duchamp in France, 1887–1915 65
  8. Duchamp’s First Experiments in Esoteric and Alchemical Art, 1910–1912 97
  9. Duchamp in New York with Esoteric Patrons and the Large Glass, 1915–1923 169
  10. Alchemical Emblematics and the Ready-Mades, 1913–1923 225
  11. The Esoteric Fourth Dimension and Laws of Chance, 1895–1923 265
  12. The Circle Closes, 1923–1968 313
  13. Epilogue 371
  14. Notes 377
  15. Bibliography 423
  16. Index 459
Alchemist of the Avant-Garde
Ein Kapitel aus dem Buch Alchemist of the Avant-Garde
https://doi.org/10.1515/9780791486900-002

Kapitel in diesem Buch

  1. Front Matter i
  2. Contents ix
  3. Illustrations xi
  4. Introduction 1
  5. An Esoteric French Adolescence for Duchamp: Symbolist Culture and Occultism 13
  6. The Invention of the Modern Alchemist-Artist 37
  7. The Cultural Shaping of an Artist-Iconoclast: Duchamp in France, 1887–1915 65
  8. Duchamp’s First Experiments in Esoteric and Alchemical Art, 1910–1912 97
  9. Duchamp in New York with Esoteric Patrons and the Large Glass, 1915–1923 169
  10. Alchemical Emblematics and the Ready-Mades, 1913–1923 225
  11. The Esoteric Fourth Dimension and Laws of Chance, 1895–1923 265
  12. The Circle Closes, 1923–1968 313
  13. Epilogue 371
  14. Notes 377
  15. Bibliography 423
  16. Index 459
Heruntergeladen am 29.4.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9780791486900-002/html?lang=de
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