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Eight Performing an Other Tongue
Language-Based Arab Identity and the Displacement of “Pure” Arabi
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Kapitel in diesem Buch
- Front Matter i
- Contents v
- Preface vii
- Acknowledgments xi
- Introduction 1
-
The Arab Gaucho
- Sarmiento 31
- Lugones’S El Payador and the Legacy of Moorish Blood 53
- Hallar and Yaser Custom-Build the Fictions of the Nation 61
- Coda 73
-
Writing the Orient to Write the Self
- Euro-Argentine Orientalisms, Before and After the Watershed of Immigration 79
- Arab Argentine Re-Presentations of the Orient 111
- Coda 131
-
Performing Mother Tongues
- Discursive Copies, Discursive Differences 163
- Another Dissonant Performance of Argentineness 189
- Performing an Other Tongue 195
- In Closing 215
- Notes 223
- Bibliography 245
- Index 261
Kapitel in diesem Buch
- Front Matter i
- Contents v
- Preface vii
- Acknowledgments xi
- Introduction 1
-
The Arab Gaucho
- Sarmiento 31
- Lugones’S El Payador and the Legacy of Moorish Blood 53
- Hallar and Yaser Custom-Build the Fictions of the Nation 61
- Coda 73
-
Writing the Orient to Write the Self
- Euro-Argentine Orientalisms, Before and After the Watershed of Immigration 79
- Arab Argentine Re-Presentations of the Orient 111
- Coda 131
-
Performing Mother Tongues
- Discursive Copies, Discursive Differences 163
- Another Dissonant Performance of Argentineness 189
- Performing an Other Tongue 195
- In Closing 215
- Notes 223
- Bibliography 245
- Index 261