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6 Zhuge Liang and Zhang Fei
Bowang shao tun and Competing Masculine Ideals within the Development of the Three Kingdoms Story Cycle
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Kimberly Besio
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Chapters in this book
- Front Matter i
- Contents v
- Foreword vii
- Acknowledgments xv
- Introduction xvii
-
Three Kingdoms and Chinese Value
- Cosmic Foreordination and Human Commitment 3
- Essential Regrets 15
- The Notion of Appropriateness (Yi) in Three Kingdoms 27
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Three Kingdoms and Chinese History
- The Beginning of the End 43
- Selected Historical Sources for Three Kingdoms 53
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Three Kingdoms in Chinese Drama and Art
- Zhuge Liang and Zhang Fei 73
- The Theme of Three Kingdoms in Chinese Popular Woodblock Prints 87
- Three Kingdoms at the Dawn of the Twenty-First Century 111
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Three Kingdoms in Contemporary East Asia
- From Three Kingdoms the Novel to Three Kingdoms the Television Series 125
- The Reception and the Place of Three Kingdoms in South Korea 143
- Studies of Three Kingdoms in the New Century 153
- Bibliography 167
- Contributors 179
- Index 183
Chapters in this book
- Front Matter i
- Contents v
- Foreword vii
- Acknowledgments xv
- Introduction xvii
-
Three Kingdoms and Chinese Value
- Cosmic Foreordination and Human Commitment 3
- Essential Regrets 15
- The Notion of Appropriateness (Yi) in Three Kingdoms 27
-
Three Kingdoms and Chinese History
- The Beginning of the End 43
- Selected Historical Sources for Three Kingdoms 53
-
Three Kingdoms in Chinese Drama and Art
- Zhuge Liang and Zhang Fei 73
- The Theme of Three Kingdoms in Chinese Popular Woodblock Prints 87
- Three Kingdoms at the Dawn of the Twenty-First Century 111
-
Three Kingdoms in Contemporary East Asia
- From Three Kingdoms the Novel to Three Kingdoms the Television Series 125
- The Reception and the Place of Three Kingdoms in South Korea 143
- Studies of Three Kingdoms in the New Century 153
- Bibliography 167
- Contributors 179
- Index 183