Kapitel in diesem Buch

1. Front Matter i
2. Contents v
3. Illustrations vii
4. Acknowledgments ix
5. Introduction 1
6. Overlooking the Real in Camera Lucida 11
7. The Accident That Will Have Happened 17
8. Film Theory, Sexual In-Difference, and Lacan’s Tale of Two Toilets 31
9. How Should a Woman Look? 49
10. Opening up to the Punctum in Jamie Wagg’s History Painting: Shopping Mall 69
11. Myra, Myra on the Wall, Who’s the Scariest of Them All? 77
12. Framing the Child in Sally Mann’s Photographs 93
13. Film Theory for Post-theory 111
14. Notes 117
15. Bibliography 127
16. Index 137