Präsentiert durch Paradigm Publishing Services
Suny Press
Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
Chapter Seven Framing the Child in Sally Mann’s Photographs
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Front Matter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction 1
- Overlooking the Real in Camera Lucida 11
- The Accident That Will Have Happened 17
- Film Theory, Sexual In-Difference, and Lacan’s Tale of Two Toilets 31
- How Should a Woman Look? 49
- Opening up to the Punctum in Jamie Wagg’s History Painting: Shopping Mall 69
- Myra, Myra on the Wall, Who’s the Scariest of Them All? 77
- Framing the Child in Sally Mann’s Photographs 93
- Film Theory for Post-theory 111
- Notes 117
- Bibliography 127
- Index 137
Kapitel in diesem Buch
- Front Matter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction 1
- Overlooking the Real in Camera Lucida 11
- The Accident That Will Have Happened 17
- Film Theory, Sexual In-Difference, and Lacan’s Tale of Two Toilets 31
- How Should a Woman Look? 49
- Opening up to the Punctum in Jamie Wagg’s History Painting: Shopping Mall 69
- Myra, Myra on the Wall, Who’s the Scariest of Them All? 77
- Framing the Child in Sally Mann’s Photographs 93
- Film Theory for Post-theory 111
- Notes 117
- Bibliography 127
- Index 137