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Jacques Demy, Catherine Deneuve, Françoise Dorléac, and Truffaut

© McGill-Queen’s University Press

© McGill-Queen’s University Press

Chapters in this book

  1. Front Matter i
  2. Contents vii
  3. Acknowledgments xi
  4. The Films of François Truffaut 3
  5. Chronology 5
  6. Why Truffaut? 9
  7. In His Own Words I 22
  8. Roland Lévy and Roland Truffaut 23
  9. Early Films: François and Sam 26
  10. The Godfather: André Bazin (1918–1958) 31
  11. 1 January 1954: “A certain Tendency in French Cinema” 36
  12. The Mischief Makers (1957): Some Boys and a Girl on a Bicycle 41
  13. Films Truffaut Didn’ t Make I 44
  14. Some Titles for the 400 Blows (1959) 48
  15. Making Films Together: a Letter to the Cast and Crew of the Last Metro (21 January 1980) 50
  16. The 400B Lows: a Life on Film 53
  17. Jean-Pierre Léaud With Truffaut, Jean-Luc Godard, and Bernardo Bertolucci 62
  18. Robert Lachenay (1930–2005): the Best Friend and the Ancillary Life 69
  19. Sacha Guitry (1885–1957): Le Roman D’un Tricheur (1936) and the 400 Blows 72
  20. Shoot the Piano Player (1960): All You Need is Love 75
  21. Shoot the Piano Player and a Debtto the Past 80
  22. Truffaut’s Breathless and Jean-Luc Godard’s 82
  23. A Posthumous Questionnaire (January 2015) 84
  24. Truffaut in his Letters 90
  25. Jules and Jim (1961): When we Speak of Freedom and Love and Death 95
  26. Eric Rohmer’s La Collectionneuse (1967) and Jules and Jim 104
  27. Julian Barnes’s Talking it Over (1991) and Jules and Jim 107
  28. Salman Rushdie’s the Ground beneath Her Feet (1999) and Jules and Jim 109
  29. Truffaut in and Out of His Time 112
  30. Carlos Saura on the Soft Skin (1964), Obliquely 114
  31. The Auteur and the Empty Room 116
  32. Meeting Jeanne Moreau in Venice 119
  33. Truffaut Looks Backto Godard: Fahrenheit 451 (1966) and Alphaville (1965) 124
  34. Fahrenheit 451 and Truffaut’s English 125
  35. The Bride Wore Black (1967) 128
  36. Jacques Demy, Catherine Deneuve, Françoise Dorléac, and Truffaut 131
  37. Stolen Kisses (1968): a Debt to Marcel Proust or Anatole France 134
  38. David Thomson’s Mississippi Mermaid (1969) 136
  39. Fahrenheit 451 (1966), Week-end (1967), the Wild Child (1969): a Dialogue? 138
  40. Maurice Pialat’s Wild Child: L’Enfance Nue (1968) 142
  41. Woody Allen’s Deconstructing Harry (1997) and Antoine Doinel 144
  42. Patrice Leconte’s the Girl on the Bridge (1999) 146
  43. “François, My Boy” and “Mr Hitchcock” 148
  44. Truffaut’s Typewriters 153
  45. The Ending of Two English Girls (1971) 156
  46. Two English Girls, Agora (2009), and Seeing Red on the Screen 161
  47. Truffaut, Godard, and Timbres 164
  48. Truffaut’s Afterlife: the Diving Bell and the Butterfly (2007) 166
  49. Johnny Guitar(1954): Bad Faith in Truffaut and David Thomson 168
  50. A Title Quiz 171
  51. Creativity and Accidents 172
  52. Day for Night (1973): the Family Movie 176
  53. Day for Night, Wes Anderson, and American Express 180
  54. 81/2 (1963), Day for Night (1973), Stardust Memories (1980), Nine (2009) 183
  55. Pauline Kael, Wim Wenders, and Truffaut 185
  56. Truffaut, Adam Zagajewski, and the Fate of Spirit 190
  57. Truffaut in the Squid and the Whale (2005) 191
  58. Truffaut and Paul Léautaud (1872–1956) 194
  59. Montmartre and “Certification” 199
  60. The Story of Adele H. (1975): Truffaut ’s Feminism 201
  61. Truffaut and Deneuve in the Story of Adèle H. 206
  62. A Dream: the Story of Adèle H. and Elle 209
  63. Small Change (1976) and Renoir’s the River (1951) 211
  64. An Aged Man Is but a Paltry Thing 214
  65. Ingmar Bergman, Cavaleur 217
  66. Fame: Daphne Moon, Niles Crane, and a Truffaut Film 220
  67. The Man Who Loved Women (1977): Truffaut and DonJuan 221
  68. João César Monteiro’s a Comédia De Deus (1995): the Man Who Loved Girls 224
  69. Leslie Caron 226
  70. Suzanne Schiffman (1929–2001) 229
  71. Trufard and Godfaut: Resemblances 232
  72. Balthus (1908–2001) 234
  73. Film Names: Who Remembers Michel Poiccard and Patricia Franchini? 236
  74. The Green Room (1978): the Man Who Loved One Woman 241
  75. A Short History of “Dummies”: Luis Buñuel, Truffaut, and Oskar Kokoschka 250
  76. The Sentence That Sticks 255
  77. Pauline Kael’s Farewell to Truffaut and Godard 258
  78. Paul Schrader’s Tears 261
  79. The Last Metro (1980): François Truffaut-Lévy 263
  80. Subtitles and Voices 269
  81. Roberto Rossellini (1906–1977): the Italian Godfather 271
  82. The Woman Next Door (1981): “Neither With You Nor without You” 274
  83. Fany Marguerite Judith Ardant 278
  84. François and Sam: Some Favourite Films 280
  85. A Godard Dream (26 June 2011) 281
  86. Le Journal D’ Alphonse: a Doinel Sequel 284
  87. In His Own Words II 288
  88. Truffaut’s Afterlife: Amélie (2001) 289
  89. Antoine De Baecque’s Two in the Wave (2010) 292
  90. Unfinished Business: Films Truffaut Didn’t Make II 295
  91. The Grave in Montmartre 299
  92. Last Words 302
  93. Notes 303
  94. Bibliography 319
  95. Index 331
A Truffaut Notebook
This chapter is in the book A Truffaut Notebook
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