Presented to you through Paradigm Publishing Services
Mcgill-queen's University Press
Chapter
Licensed
Unlicensed
Requires Authentication
4 F(r)ictions: Feminists Re/Writing Narrative
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Front Matter i
- Contents v
- Preface vii
- Introduction: Telling Difference 1
- Toward an Epistemology of Gender 19
- Telling the Feminine 47
- Sex, Lies, and Photography: Reading Detective Fiction as Psychoanalysis in Timothy Findley’s The Telling of Lies 87
- F(r)ictions: Feminists Re/Writing Narrative 115
- The (W)rite of Passage: From Childhood to Womanhood in Lucy Maud Montgomery’s Emily Novels 147
- Writing Toward Absence: Frances Gregg’s The Mystic Leeway 159
- Parsifal and Semiotic Structuralism 175
- Androgynous Realism in Heinrich von Kleist’s “Die Heilige Cdcilie Oder Die Gewalt Der Musik (Eine Legende)” 199
- Clough, Claude, Arnold, and Marguerite: Male Heterophobia in Victorian Poetry 221
- Contributors 252
- Index 255
Chapters in this book
- Front Matter i
- Contents v
- Preface vii
- Introduction: Telling Difference 1
- Toward an Epistemology of Gender 19
- Telling the Feminine 47
- Sex, Lies, and Photography: Reading Detective Fiction as Psychoanalysis in Timothy Findley’s The Telling of Lies 87
- F(r)ictions: Feminists Re/Writing Narrative 115
- The (W)rite of Passage: From Childhood to Womanhood in Lucy Maud Montgomery’s Emily Novels 147
- Writing Toward Absence: Frances Gregg’s The Mystic Leeway 159
- Parsifal and Semiotic Structuralism 175
- Androgynous Realism in Heinrich von Kleist’s “Die Heilige Cdcilie Oder Die Gewalt Der Musik (Eine Legende)” 199
- Clough, Claude, Arnold, and Marguerite: Male Heterophobia in Victorian Poetry 221
- Contributors 252
- Index 255