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Chapters in this book
- Front Matter i
- Contents vii
- Preface ix
- Acknowledgments xiii
- Prelude 1
- McLuhan’s Basic Probes and Perceptions 3
- Introduction 21
- The Techno-Prophet as Poet and Trickster 38
- McLuhan the Correspondent: His Writings as Probes, Percepts, and Affects 51
- From the Trivium to the Tetrad: Media as Artefact and Language 67
- The Professor and the Publicist: Tom Wolfe, the Firehouse Boys, and Marshall 81
- McLuhanesque Ambivalence: Power and Cultural Production 95
- McLuhan and the Cults: Gnosticism, Hermeticism, and Modernism 108
- McLuhan as Prepostmodernist and Forerunner of French Theory 125
- McLuhan as Trickster: The Poetry of Cliché 138
- McLuhan, Joyce, and the Evolution of Cyberculture 153
- Joyce, Light, and the Road to Digiculture 170
- McLuhan as Modern Satirist 187
- Conclusion: Rehabilitating the Arts and the Artist 202
- Biographical Notes and The Medium is the Rear View Mirror 215
- Introduction 235
- Notes 263
- Bibliography 287
- Index 299
Chapters in this book
- Front Matter i
- Contents vii
- Preface ix
- Acknowledgments xiii
- Prelude 1
- McLuhan’s Basic Probes and Perceptions 3
- Introduction 21
- The Techno-Prophet as Poet and Trickster 38
- McLuhan the Correspondent: His Writings as Probes, Percepts, and Affects 51
- From the Trivium to the Tetrad: Media as Artefact and Language 67
- The Professor and the Publicist: Tom Wolfe, the Firehouse Boys, and Marshall 81
- McLuhanesque Ambivalence: Power and Cultural Production 95
- McLuhan and the Cults: Gnosticism, Hermeticism, and Modernism 108
- McLuhan as Prepostmodernist and Forerunner of French Theory 125
- McLuhan as Trickster: The Poetry of Cliché 138
- McLuhan, Joyce, and the Evolution of Cyberculture 153
- Joyce, Light, and the Road to Digiculture 170
- McLuhan as Modern Satirist 187
- Conclusion: Rehabilitating the Arts and the Artist 202
- Biographical Notes and The Medium is the Rear View Mirror 215
- Introduction 235
- Notes 263
- Bibliography 287
- Index 299