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A Grand Piano Filled with Sand: A Transmorphic Study
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Chapters in this book
- Front Matter i
- Contents vii
- Preface ix
- Invention as a Celebration of Materials 1
- Sounding the Path: Dwelling and Dreaming 25
- Surface and Appearance in Guarino Guarini’s SS. Sindone Chapel 45
- Human and Divine Perspectives in the Works of Salomon de Caus 79
- Demas: The Human Body as a Tectonic Construct 103
- Juan Bautista Villalpando’s Divine Model in Architectural Theory 125
- Fragmentation, Improvisation, and Urban Quality: A Heterotopian Motif in Siegfried Kracauer 157
- Vitruvius, Nietzsche, and the Architecture of the Body 179
- A Grand Piano Filled with Sand: A Transmorphic Study 201
- Origins and Ornaments: Jean-Jacques Lequeu and the Poetics of the City in I’Architecture Civile 221
- Architecture and the Vegetal Soul 255
- Domesticity and Diremption: Poetics of Space in the Work of Jana Sterbak 281
- Absent Bodies Writing Rooms 303
- About the Authors 335
Chapters in this book
- Front Matter i
- Contents vii
- Preface ix
- Invention as a Celebration of Materials 1
- Sounding the Path: Dwelling and Dreaming 25
- Surface and Appearance in Guarino Guarini’s SS. Sindone Chapel 45
- Human and Divine Perspectives in the Works of Salomon de Caus 79
- Demas: The Human Body as a Tectonic Construct 103
- Juan Bautista Villalpando’s Divine Model in Architectural Theory 125
- Fragmentation, Improvisation, and Urban Quality: A Heterotopian Motif in Siegfried Kracauer 157
- Vitruvius, Nietzsche, and the Architecture of the Body 179
- A Grand Piano Filled with Sand: A Transmorphic Study 201
- Origins and Ornaments: Jean-Jacques Lequeu and the Poetics of the City in I’Architecture Civile 221
- Architecture and the Vegetal Soul 255
- Domesticity and Diremption: Poetics of Space in the Work of Jana Sterbak 281
- Absent Bodies Writing Rooms 303
- About the Authors 335
