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Chapter Six “Cold as the Stone of Which It Must Be Made”: The Monument and Dois de Julho’s Bifurcation
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Chapters in this book
- Front Matter i
- Contents v
- Map, Tables, and Figures vii
- Acknowledgments ix
- Author’s Note on the Tex xiii
- “This Glorious Day for All of Brazil” 3
- “Never Again Will Despotism Govern Our Actions”: The Invention of a Civic Ritual, 1824–47 43
- The Volcano’s “Most Magnificent and Sublime Spectacle”: From Political to Popular Festival, 1848–64 84
- “Subdivided into a Thousand Festivals”: Late-Imperial Dois de Julho, 1865–89 127
- “On 2 July Nobody Fights”: The Multiple Meanings of a Festival 168
- Dramas “Appropriate for the Pub Theatre”: Dois de Julho on Stage 200
- “Cold as the Stone of Which It Must Be Made”: The Monument and Dois de Julho’s Bifurcation 243
- The “Greatest Symbol of the Bahian Povo’s Struggle” 285
- Notes 297
- Bibliography 363
- Index 401
Chapters in this book
- Front Matter i
- Contents v
- Map, Tables, and Figures vii
- Acknowledgments ix
- Author’s Note on the Tex xiii
- “This Glorious Day for All of Brazil” 3
- “Never Again Will Despotism Govern Our Actions”: The Invention of a Civic Ritual, 1824–47 43
- The Volcano’s “Most Magnificent and Sublime Spectacle”: From Political to Popular Festival, 1848–64 84
- “Subdivided into a Thousand Festivals”: Late-Imperial Dois de Julho, 1865–89 127
- “On 2 July Nobody Fights”: The Multiple Meanings of a Festival 168
- Dramas “Appropriate for the Pub Theatre”: Dois de Julho on Stage 200
- “Cold as the Stone of Which It Must Be Made”: The Monument and Dois de Julho’s Bifurcation 243
- The “Greatest Symbol of the Bahian Povo’s Struggle” 285
- Notes 297
- Bibliography 363
- Index 401