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13 Mural Painting and Spectatorship in Early Eighteenth-Century Britain
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Chapters in this book
- Front Matter i
- Contents vii
- Bibliographical Note ix
- Preface xi
- Early Modern Spectatorship: An Overview 3
- Making Spectacles: Spectatorship and Authority on the Early Modern Stage 20
- “Shame's pure blush”: Shakespeare and the Ethics of Spectatorship 47
- Spectatorship and Repression in Shakespeare's Twelfth Night 77
- “Most grateful deceptions of the sight”: Optical Technologies in Restoration England 104
- Dying in Earnest: Public Executions and Their Audiences 130
- Looking at John Donne Looking at God 170
- Sidney Visualized: Thomas Lant's Sequitur celebritas (1588) and the Funeral Construction of an English National Hero 194
- “Watching the Watchers”: The Spectatorship Game in Ned Ward's The London Spy 213
- Prospect Views: Landscapes, Knowledge, and Political Spectatorship in the Eighteenth Century 240
- A Case Study on Spectatorship and the Visual Arts: Democritus and Heraclitus 267
- Spectacle and the Chronotope of Progress in William Hogarth's London 296
- Mural Painting and Spectatorship in Early Eighteenth-Century Britain 330
- Illustrations 355
- Bibliography 359
- Contributors 395
- Index 399
Chapters in this book
- Front Matter i
- Contents vii
- Bibliographical Note ix
- Preface xi
- Early Modern Spectatorship: An Overview 3
- Making Spectacles: Spectatorship and Authority on the Early Modern Stage 20
- “Shame's pure blush”: Shakespeare and the Ethics of Spectatorship 47
- Spectatorship and Repression in Shakespeare's Twelfth Night 77
- “Most grateful deceptions of the sight”: Optical Technologies in Restoration England 104
- Dying in Earnest: Public Executions and Their Audiences 130
- Looking at John Donne Looking at God 170
- Sidney Visualized: Thomas Lant's Sequitur celebritas (1588) and the Funeral Construction of an English National Hero 194
- “Watching the Watchers”: The Spectatorship Game in Ned Ward's The London Spy 213
- Prospect Views: Landscapes, Knowledge, and Political Spectatorship in the Eighteenth Century 240
- A Case Study on Spectatorship and the Visual Arts: Democritus and Heraclitus 267
- Spectacle and the Chronotope of Progress in William Hogarth's London 296
- Mural Painting and Spectatorship in Early Eighteenth-Century Britain 330
- Illustrations 355
- Bibliography 359
- Contributors 395
- Index 399
