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Nine The Genesis, Writing, and Re-Writing of Erwin Panofsky and Fritz Saxl’s Dürers ‘Melencolia I’

  • Claudia Wedepohl
© McGill-Queen's University Press

© McGill-Queen's University Press

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. Figures vii
  4. Foreword xi
  5. Acknowledgments xiii
  6. Raymond Klibansky and the Warburg Library Network: From Hamburg to London and Montreal 3
  7. Raymond Klibansky and the Warburg Library Network: Early Years and Exile
  8. Keepers of the Flame: Bing, Solmitz, Klibansky, and the Continuity of the Warburg Tradition 29
  9. The Warburg Library within German Judaism: Raymond Klibansky in His Letters to Fritz Saxl and Gertrud Bing 58
  10. The Warburg Institute Reaches Out: Raymond Klibansky and His British Contacts 80
  11. Tracing an Intellectual Afterlife in Library and Archival Sources: Raymond Klibansky and His Warburg Library Networks 108
  12. The Continuity of the Platonic Tradition
  13. From the Cusanus Edition to the Corpus Platonicum Medii Aevi: Klibansky’s Collaborations with Ernst Hoffmann, Ernst Cassirer, and Fritz Saxl 143
  14. Raymond Klibansky and the Corpus Platonicum Medii Aevi: A Discussion of the Plato Latinus Series 160
  15. Raymond Klibansky’s Ethics of Transmission 182
  16. The Saturn and Melancholy Project
  17. Editing the “Melancholy Project”: A Schematic Overview 197
  18. The Genesis, Writing, and Re-Writing of Erwin Panofsky and Fritz Saxl’s Dürers ‘Melencolia I’ 210
  19. Melancholie und Saturn: A Long-Term Collective Project of the Warburg Library 236
  20. The Melancholy of the (Co-)Author: Panofsky and the Authorship of Saturn and Melancholy 269
  21. The Theme of Melancholy in Raymond Klibansky’s Work after 1964 289
  22. Afterword 301
  23. Bibliography 303
  24. Contributors 327
  25. Index 333
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