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Two Tridentine Visual Reform in Paleotti's Discorso: The Modes of the Artefice Cristiano in Theory and Practice
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Chapters in this book
- Front Matter i
- Contents v
- Figures vii
- Acknowledgments xi
- Introduction 3
- Bologna as Exemplary Counter-Reformation City: An Intellectual History of the City and Its Scholars 18
- Tridentine Visual Reform in Paleotti's Discorso: The Modes of the Artefice Cristiano in Theory and Practice 44
- Stitching for Virtue: Women's Work in Embroidery for the Conservatori of Bologna 92
- Felsina Pittrice: Elisabetta Sirani, Her Students and Circle, and the Maniera Devota 119
- Veronica Fontana and Giuseppe Maria Mitelli: Prints, Piety, and Science in the Work of Sirani's Students and Colleagues 155
- Conclusion 198
- Appendix 1 204
- Notes 213
- Bibliography 251
- Index 273
Chapters in this book
- Front Matter i
- Contents v
- Figures vii
- Acknowledgments xi
- Introduction 3
- Bologna as Exemplary Counter-Reformation City: An Intellectual History of the City and Its Scholars 18
- Tridentine Visual Reform in Paleotti's Discorso: The Modes of the Artefice Cristiano in Theory and Practice 44
- Stitching for Virtue: Women's Work in Embroidery for the Conservatori of Bologna 92
- Felsina Pittrice: Elisabetta Sirani, Her Students and Circle, and the Maniera Devota 119
- Veronica Fontana and Giuseppe Maria Mitelli: Prints, Piety, and Science in the Work of Sirani's Students and Colleagues 155
- Conclusion 198
- Appendix 1 204
- Notes 213
- Bibliography 251
- Index 273